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Le immagini del potere. Note sull'identità italiana nel cinema di Paolo Sorrentino.
Abstract
The artcile is about three Sorrentino's movies starting from some specific images and scenes: L'UOMO IN PIÙ, IL DIVO and LA GRANDE BELLEZZA. These movies, using the grotesque "register", tell us a lot, through a glass darkly, our identity as a so called nation.
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