Department of English
Parent: UCLA
eScholarship stats: Breakdown by Item for December, 2024 through March, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 9zk9d7sj | The Human Mecha: Titan, Technology, and Self in <em>Attack on Titan</em> | 759 | 454 | 305 | 59.8% |
| 886009wz | “I’ve Never Heard Silence Quite this Loud”: The Complexity of Taylor Swift’s Neutral Star Text | 580 | 173 | 407 | 29.8% |
| 46h0x4kp | Preliminary Materials for a Theory of <em>Gossip Girl</em> | 384 | 265 | 119 | 69.0% |
| 9pb2g06w | Blood as Reference to Fear in <em>Dracula</em> | 362 | 240 | 122 | 66.3% |
| 2ks5v4hh | Immaterial Archives: An African Diaspora Poetics of Loss | 292 | 241 | 51 | 82.5% |
| 807839r5 | (Mis)interpretations and (In)justice: The 1992 Los Angeles ‘Riots’ and ‘Black-Korean Conflict. | 277 | 191 | 86 | 69.0% |
| 6v64v08r | Utopia by a Thousand Cuts: Melodrama and the Queer Art of Self-Harm in Hanya Yanagihara’s <em>A Little Life</em> | 274 | 37 | 237 | 13.5% |
| 20f8k5fd | Heroism, Sensibility, and Gender: Mary Wollstonecraft's Feminist Politics in<em> A Vindication of the Rights of Woman</em> and <em>Maria: or, The Wrongs of Woman</em> | 262 | 24 | 238 | 9.2% |
| 70j061wc | Transpacific Poetics: Ideographic and Prosodic Transpositions in Li-Young Lee’s “Persimmons” and Marilyn Chin’s “Summer Sleep” | 258 | 105 | 153 | 40.7% |
| 6f5989r0 | Sadomasochism in <em>Jane Eyre</em>: A Psychological Exchange of Power | 253 | 93 | 160 | 36.8% |
| 2s6478nm | Intertextuality within Mary Shelley’s Frankenstein Structures and Stabilizes Language Countering Male Romantic-Era Writers’ Subjectification of the World | 247 | 15 | 232 | 6.1% |
| 1tm7x1rv | Scribal Authorship and the Writing of History in Medieval England | 242 | 113 | 129 | 46.7% |
| 7568z540 | (Refugee) Children's Stories: Untold Truths from the San Fernando Valley Refugee Children Center | 241 | 8 | 233 | 3.3% |
| 27d9x6f9 | Historical Retrospection and Ambivalence in <em>A Tale of Two Cities</em> | 215 | 131 | 84 | 60.9% |
| 9hq000bg | Female Power and the Supernatural in Early Gothic Literature | 215 | 53 | 162 | 24.7% |
| 6pf491k3 | Milton and Empire: Satanic and Edenic Colonization in Paradise Lost | 204 | 59 | 145 | 28.9% |
| 0513d277 | “Is Bing Xin a Chinese American Writer?” “冰心是华裔美国作家吗？论冰心《相片》之东方主义及种族主义批判 .” | 199 | 71 | 128 | 35.7% |
| 88w223j9 | "Chinese American Literature in the New Century 新世纪的美国及海外华裔美国文学." Jiangnan Magazine [江南] 2018 No. 2: 146-159. | 192 | 88 | 104 | 45.8% |
| 2rx3h75b | Changing the Unchangeable: The Transformative Power of Queerness in Magical Realism | 191 | 169 | 22 | 88.5% |
| 2fs65978 | “The Lines of Influence”: The Occult Recontextualization of Nicholas Hawksmoor’s Churches in <em>From Hell</em> and <em>Lud Heat</em> | 182 | 22 | 160 | 12.1% |
| 3x15p833 | Queer Desire as Restoration: The Rejection of Phallic Exchange in Christina Rossetti’s “Goblin Market” | 181 | 45 | 136 | 24.9% |
| 8tz2h3gc | A War of Roses: An Examination of Tudor Mythography in Shakespeare’s First Tetralogy of History and George R.R. Martin’s, <em>A Song of Ice and Fire</em> Series | 174 | 14 | 160 | 8.0% |
| 1h39r5ms | "Please Don't Stop Being My Mother!": Attachment Theory and Identity Formation in Kurt Vonnegut's <em>Slaughterhouse-Five</em> and Hideaki Anno's <em>Neon Genesis Evangelion</em> | 172 | 46 | 126 | 26.7% |
| 6qc0w5z0 | 《女战士对抗太平洋中国佬：华裔美国批评家非得选择女性主义或英雄主义吗？》张琼惠翻译 | 167 | 79 | 88 | 47.3% |
| 47k1b3bk | Routes and roots | 157 | 113 | 44 | 72.0% |
| 17k1c130 | Mythic Pizza: Semiotic and Archetypal Significance in the Conspiracy Narrative Known as 'Pizzagate' | 143 | 26 | 117 | 18.2% |
| 4rt3t02n | Doomed Voyage: America's Evolving Relationship with <em>Moby-Dick</em> | 140 | 7 | 133 | 5.0% |
| 60c2h8p4 | Victims, Perpetrators, and Implicated Subjects: The Effects of Trauma in Sherman Alexie's <em>Indian Killer</em> and Toni Morrison's <em>Beloved</em> | 140 | 45 | 95 | 32.1% |
| 15r8j7qx | Lived multidirectionality: “Historikerstreit 2.0” and the politics of Holocaust memory | 139 | 85 | 54 | 61.2% |
| 1h54x0bn | 赛珍珠和冰心：跨太平洋女性文学谱系中的殖民政治 | 132 | 7 | 125 | 5.3% |
| 10s1v91k | A Social Disruption: The Decentering of the Individual in Contemporary Dystopian Fiction and its Challenges to Humanism, Posthumanism, and Neoliberal Individualism | 130 | 46 | 84 | 35.4% |
| 77n2q7qn | “Talk-Story: Counter-Memory in Maxine Hong Kingston's China Men.” | 129 | 15 | 114 | 11.6% |
| 7mh827nr | “Between Gloom and Laughter”: Female Longing, Unhappiness, and Structures of Absence in the Works of Virginia Woolf | 127 | 46 | 81 | 36.2% |
| 6s48n8h0 | Thinking “Diaspora” with Stuart Hall | 125 | 17 | 108 | 13.6% |
| 0qb528ms | "The Man in Blood": Grotesque and Classical Masculinity in Shakespeare's <em>Coriolanus</em> | 121 | 12 | 109 | 9.9% |
| 73k3h935 | "Before the Natural World Started Dying": Latent Conservatism, Nostalgia, and Dread in the Millennial Novel | 121 | 14 | 107 | 11.6% |
| 6cg447s0 | When Spirits Talk: Reading Erna Brodber’s Louisiana for Affect | 115 | 15 | 100 | 13.0% |
| 3xk9877j | Danielle | 114 | 54 | 60 | 47.4% |
| 69z944xs | “Don't Tell”: Imposed Silences in <i>The Color Purple</i> and <i>The Woman Warrior</i> | 111 | 22 | 89 | 19.8% |
| 25s0d4pm | The Conqueror Dominated, the Conquered Seduced: Postcolonial Love in Three Stories by Gabriel Garcia Marquez | 109 | 19 | 90 | 17.4% |
| 2mf9q3xx | The Archive and Affective Memory in M. Nourbese Philip's Zong! | 106 | 49 | 57 | 46.2% |
| 6rc3v76c | Consuming Raw: Cannibalistic Transformation in Julia Ducournau’s <em>Raw</em> (2016) | 102 | 58 | 44 | 56.9% |
| 568012r9 | The <em>Bildungsroman</em> Transformed Magic, Memories, and the Unpredictable Movements of Growth in Young Adult Speculative Fiction | 97 | 22 | 75 | 22.7% |
| 6k31748m | The Subject of Religion: Lacan and the Ten Commandments | 94 | 82 | 12 | 87.2% |
| 3fv717g9 | Summer’s Dawn | 93 | 10 | 83 | 10.8% |
| 0rq5q0sd | Sontag and Disability Studies: Chronic Illness, Impairment Effect, and Biomedical Metaphor | 89 | 42 | 47 | 47.2% |
| 4hq0x82s | Liberate the Asian American Writer: Embracing the Flaws of Amy Tan's <em>The Joy Luck Club</em> | 88 | 23 | 65 | 26.1% |
| 2x74s415 | "Introduction: The Transnational Turn, " in the <em> Cambridge Companion to Transnational American Literature </em> | 85 | 20 | 65 | 23.5% |
| 0fd2t74d | “The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?” Conflicts in Feminism. Ed. Marianne Hirsch and Evelyn Fox Keller. New York: Routledge, 1990. 234-251 | 83 | 15 | 68 | 18.1% |
| 6565977z | Troublesome Minorities: Questioning Assimilation in <em>The Reluctant Fundamentalist</em> and <em>Home Fire</em> | 83 | 21 | 62 | 25.3% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.