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赛珍珠和冰心：跨太平洋女性文学谱系中的殖民政治
Abstract
This article describes the connection between Pearl Buck and Bing Xin, especially the impact of Pearl Buck's ascerbic critique of American missionaries on Bing Xin's "The Photograph" (1934), which anticipates postcolonialist and Asian Americanist theories advanced decades later.
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