UCLA Entertainment Law Review

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Open Access Publications from the University of California

About

The UCLA Entertainment Law Review (“ELR”) is an international law journal published once or twice a year by the UCLA School of Law. Since 1994, ELR’s staff has worked diligently to bring to our subscribers academic work of the highest quality, as well as articles that tackle the most novel and cutting edge issues in the field of entertainment law.

Volume 7, Issue 2, 2000

Front Matter

[Front Matter]

[No abstract]

Articles

Ignoring the Public, Part I: On the Absurd Complexity of the Digital Audio Transmission Right

Nimmer, David

[No abstract]

Still Dancing: An Article on Astaire v. Best Video and its Lasting Repercussions

Whiteleather, Scott L.

[No abstract]

THE RECORDING ACADEMY® ENTERTAINMENT LAW INITIATIVE 2000 LEGALWRITING CONTEST WINNERS

NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM

Field, Corey

[No abstract]

MUSIC IN THE DIGITAL MILLENNIUM: THE EFFECTS OF THE DIGITAL MILLENNIUM COPYRIGHT ACT OF 1998

Balaban, David

[No abstract]

THE NO ELECTRONIC THEFT ACT: THE MUSIC INDUSTRY'S NEW INSTRUMENT IN THE FIGHT AGAINST INTERNET PIRACY

Bernstein, Karen J.

[No abstract]

MP3: SECOND VERSE

Pedraza, Lidia

[No abstract]

THE GLOBAL RESPONSE TO DIGITAL MUSIC PIRACY

Robinson, Liz

[No abstract]

Comments

Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants?

Kerr, Teresa N.

[No abstract]