Recent Work
Parent: Integrated Composition, Improvisation and Technology (ICIT)
eScholarship stats: Breakdown by Item for December, 2024 through March, 2025
Item | Title | Total requests | Download | View-only | %Dnld |
---|---|---|---|---|---|
8v0022bd | The ‘E’ in NIME: Musical Expression with New Computer Interfaces | 70 | 17 | 53 | 24.3% |
3p4375n5 | Gestural Control of Music Using the Vicon 8 Motion Capture System | 63 | 11 | 52 | 17.5% |
6qd4d7nv | Aesthetic Considerations in the Use of “Virtual” Music Instruments | 36 | 7 | 29 | 19.4% |
4zt310cz | Entropy | 25 | 0 | 25 | 0.0% |
2wp6n3tm | I, Alone | 24 | 0 | 24 | 0.0% |
0x85j9td | EXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION | 21 | 5 | 16 | 23.8% |
4970q025 | Haibun | 20 | 0 | 20 | 0.0% |
7ww3h3xx | Realtime Stochastic Decision Making for Music Composition and Improvisation | 20 | 7 | 13 | 35.0% |
993192mk | Upon Reflection | 20 | 0 | 20 | 0.0% |
7ck721n4 | STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE | 19 | 3 | 16 | 15.8% |
8gn0194r | Shadow Play | 19 | 0 | 19 | 0.0% |
2mr1f1t8 | In the In-Between | 18 | 0 | 18 | 0.0% |
5qb21800 | This and That | 18 | 0 | 18 | 0.0% |
70p7v3z0 | Play for Me (Interproviplaytion III) | 18 | 0 | 18 | 0.0% |
8gk671qq | 18 Points of Coincidence | 18 | 0 | 18 | 0.0% |
19c8535r | Riley's Revenge | 17 | 0 | 17 | 0.0% |
2cd323dr | For Zero | 17 | 0 | 17 | 0.0% |
5xj593zk | Line/Phase Minutiae | 17 | 0 | 17 | 0.0% |
33d9d1cm | Indignant Minority Scheme | 16 | 0 | 16 | 0.0% |
5bn4m9fj | Trans (Interproviplaytion V) | 15 | 0 | 15 | 0.0% |
5t46v6kh | Determining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) | 15 | 4 | 11 | 26.7% |
71j6w686 | A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION | 15 | 2 | 13 | 13.3% |
9tt9s9k0 | Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology | 15 | 4 | 11 | 26.7% |
7ws9x4dh | Cultural ‘Content’ in Korean Music Made with Computers | 14 | 5 | 9 | 35.7% |
6h74r7r6 | There's Just One Thing You Need To Know | 13 | 0 | 13 | 0.0% |
0sf178kc | Now & Tomorrow | 11 | 0 | 11 | 0.0% |
8766r1b7 | Programming New Realtime DSP Possibilities with MSP | 10 | 4 | 6 | 40.0% |
3z79z8hf | (Cycles) America | 8 | 0 | 8 | 0.0% |
9fx7g1qh | Cycles Interrupted | 8 | 0 | 8 | 0.0% |
3309r97m | Falsetas Móviles | 6 | 0 | 6 | 0.0% |
8798j4z1 | Mannam (Interproviplaytion VI) | 6 | 0 | 6 | 0.0% |
8844q6kp | Point of No Arrival | 6 | 0 | 6 | 0.0% |
8gv067ff | In Tongues (Interproviplaytion IV) | 6 | 0 | 6 | 0.0% |
6q56j765 | Insta-pene-playtion (Interproviplaytion II) | 4 | 0 | 4 | 0.0% |
6t12b79s | Direct Current | 4 | 0 | 4 | 0.0% |
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