Integrated Composition, Improvisation and Technology (ICIT)

Parent: UC Irvine

eScholarship stats: Breakdown by Item for December, 2024 through March, 2025

ItemTitleTotal requestsDownloadView-only%Dnld
7hf4q6w5Asian Americans and Creative Music Legacies90395143.3%
3n70x2dvTime, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play74403454.1%
8v0022bdThe ‘E’ in NIME: Musical Expression with New Computer Interfaces70175324.3%
4hw036wsThe Rumpus690690.0%
3p4375n5Gestural Control of Music Using the Vicon 8 Motion Capture System63115217.5%
9n2184wsImprovising in a different clave: Steve Coleman and AfroCuba de Matanzas39122730.8%
6qd4d7nvAesthetic Considerations in the Use of “Virtual” Music Instruments3672919.4%
9dm8t6vhThinking Telematically: Improvising Music Worlds Under COVID and Beyond2882028.6%
4zt310czEntropy250250.0%
2wp6n3tmI, Alone240240.0%
3w9072psRelational Music: A Participatory Approach Towards Live Experimental Electronic Music2451920.8%
6r01k343Networked music performance: An introduction for musicians and educators24111345.8%
0x85j9tdEXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION2151623.8%
4970q025Haibun200200.0%
50j6x5crall nearness pauses, while a star can grow2031715.0%
7ww3h3xxRealtime Stochastic Decision Making for Music Composition and Improvisation2071335.0%
993192mkUpon Reflection200200.0%
7ck721n4STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE1931615.8%
8gn0194rShadow Play190190.0%
2mr1f1t8In the In-Between180180.0%
5qb21800This and That180180.0%
70p7v3z0Play for Me (Interproviplaytion III)180180.0%
8gk671qq18 Points of Coincidence180180.0%
19c8535rRiley's Revenge170170.0%
2cd323drFor Zero170170.0%
5xj593zkLine/Phase Minutiae170170.0%
0p09t56hFace to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble1621412.5%
33d9d1cmIndignant Minority Scheme160160.0%
8d57f43pRitualized Performance in the Networked Era1661037.5%
8pw4s0gbSomewhere In The Upstream, in memory of Yusef Lateef (1920-2013)1651131.3%
13t7r5w0Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media1531220.0%
5bn4m9fjTrans (Interproviplaytion V)150150.0%
5t46v6khDetermining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) 1541126.7%
71j6w686A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION1521313.3%
9tt9s9k0Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology1541126.7%
7ws9x4dhCultural ‘Content’ in Korean Music Made with Computers145935.7%
625285wzNew Polyphonies: Score Streams, Improvisation and Telepresence1331023.1%
6h74r7r6There's Just One Thing You Need To Know130130.0%
0sf178kcNow & Tomorrow110110.0%
6fv361x5for instance, today113827.3%
31t392zjFar Cries: Part 1, Ansan101910.0%
7pn8c747Resonating Abstractions101910.0%
8766r1b7Programming New Realtime DSP Possibilities with MSP104640.0%
24b296c3Forget the Pixel92722.2%
3z79z8hf(Cycles) America8080.0%
9fx7g1qhCycles Interrupted8080.0%
3309r97mFalsetas Móviles6060.0%
8798j4z1Mannam (Interproviplaytion VI)6060.0%
8844q6kpPoint of No Arrival6060.0%
8gv067ffIn Tongues (Interproviplaytion IV)6060.0%

Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.