Global Urban Humanities/Future Histories Lab
Parent: UC Berkeley
eScholarship stats: History by Item for November, 2024 through February, 2025
| Item | Title | Total requests | 2025-02 | 2025-01 | 2024-12 | 2024-11 |
|---|---|---|---|---|---|---|
| 38g666th | <em>P[art]icipatory Urbanisms- an anthology</em>, University of California, Berkeley (2015) | 104 | 33 | 25 | 27 | 19 |
| 1zh114k8 | Designing by Radical Indigenism- <em>in Landscape Architecture Frontiers (2020)</em> | 54 | 17 | 12 | 17 | 8 |
| 9v64g49s | The Buzz Studio: Planning Equitable Cities for People and Pollinators | Spring 2022 Studio Course | 39 | 7 | 5 | 15 | 12 |
| 33h894f1 | Mexico City: Materiality, Performance and Power- <em>in Thesis Report from the Universidad Autónoma Metropolitana, Unidad Cuajimalpa (2016)</em> | 37 | 11 | 13 | 10 | 3 |
| 5xz8q46p | Populism, art and the city: An interdisciplinary pedagogy for our time- <em>in Journal of Urban Cultural Studies (2018)</em> | 34 | 9 | 10 | 6 | 9 |
| 00v1575t | Orientation to the Global Urban Humanities e-Archive | 32 | 10 | 8 | 6 | 8 |
| 5mh2f2h8 | Radical History of Chinatown: Designing a Digital Tour | Spring 2023 Studio Course | 32 | 11 | 8 | 6 | 7 |
| 6jp8d6n5 | Art + Village + City in the Pearl River Delta<em> (2015)</em> | 30 | 9 | 6 | 8 | 7 |
| 63d1t4fr | Art + Village + City in the Pearl River Delta | 29 | 9 | 4 | 3 | 13 |
| 1z67m451 | Relocating Romare Bearden’s Berkeley: Capturing Berkeley’s Colorful Diversity-<em> in Boom California (2016)</em> | 28 | 7 | 6 | 7 | 8 |
| 8648n3ws | <strong>Siteworks: Understanding Place through Design and Performance | </strong>Spring 2018 Studio Course | 27 | 9 | 13 | 5 | |
| 1375w6vd | A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design---9-minute documentary | 26 | 8 | 4 | 7 | 7 |
| 14b1x3b4 | Monumental Hydraulics: Diego Rivera’s Lerma Waterworks and the Water Temples of San Francisco- <em>in Boom California (2016)</em> | 26 | 6 | 5 | 7 | 8 |
| 44z5r8kr | “For the Love of People” Berkeley's Rainbow Sign and the Secret History of the Black Arts Movement in <em>Current Research in Digital History (2019)</em> | 25 | 9 | 6 | 7 | 3 |
| 9xt9351r | In Demonstration | 25 | 5 | 5 | 3 | 12 |
| 3w40664m | A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--6-minute documentary | 24 | 5 | 4 | 6 | 9 |
| 83f7f0ng | Yuriko Kamiya Oral History- A Year in Infamy | Miya Rosenthal (Documentary, 20 minutes) | 22 | 3 | 6 | 4 | 9 |
| 9966s4vx | <strong>Public Art and Social Justice: Mapping Mural Art and Narratives | </strong>Summer 2021 Studio Course | 22 | 8 | 5 | 4 | 5 |
| 25f6h5c7 | Anxieties of interdisciplinarity: Project in the Urban Humanities | Fall 2014 Symposium | 21 | 10 | 5 | 3 | 3 |
| 29h9z2nv | The Battle of the Bulb: Nature, Culture and Art at a San Francisco Bay Landfill- <em>in Boom California (2016)</em> | 21 | 9 | 2 | 2 | 8 |
| 0bg0k4pd | City of One Thousand Temples | 20 | 4 | 5 | 6 | 5 |
| 0m8953bx | Techniques of Memory: Landscape, Iconoclasm, Medium and Power | Spring 2019 Symposium | 20 | 7 | 4 | 6 | 3 |
| 53m4m68h | Berlin:The Guilt Environment | Spring 2020 Studio Course | 20 | 9 | 5 | 4 | 2 |
| 7dc4t2wz | Borderwall Urbanism | Spring 2018 Studio Course | 20 | 5 | 3 | 2 | 10 |
| 0sf7t3vs | Art, Cinema, and Life Outside the Imperial Ring | 18 | 5 | 5 | 2 | 6 |
| 1qf52415 | A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--90-second trailer | 18 | 5 | 3 | 3 | 7 |
| 1km4m2xf | Practicing Geohumanities- <em>in GeoHumanities (2015)</em> | 17 | 8 | 5 | 3 | 1 |
| 2kd4q2pz | Border Crossing: Interdisciplinary Experiments in the Global Urban Humanities | Fall 2018 Symposium | 17 | 7 | 5 | 3 | 2 |
| 3tx0n16c | Archiving as Social Justice Practice <strong>| </strong>Summer 2022 Studio Course | 17 | 7 | 7 | 2 | 1 |
| 3v00t20h | Spatial Scale and the Urban Everyday: The Physiology as a Traveling Genre (Paris: St. Petersburg, Tiflis)- in<em> The Cambridge History of World Literature (2021)</em> | 17 | 7 | 4 | 4 | 2 |
| 011364b0 | Blacksmith Caravans on the Move | 16 | 5 | 3 | 1 | 7 |
| 0m12q2ks | The Rhetoric of Return | 16 | 5 | 5 | 2 | 4 |
| 2rv680fr | Place-Based Storytelling Techniques and Technologies | Fall 2021 Colloquium | 16 | 2 | 8 | 1 | 5 |
| 6wf8f0n7 | Cities and Bodies | Fall 2016 Colloquium | 16 | 2 | 5 | 9 | |
| 7507x6j7 | Reimagining the Urban: Bay Area Connections Across the Arts & Public Space | Fall 2013 Symposium | 16 | 4 | 4 | 3 | 5 |
| 01f2x1sm | New Orleans: Historical Memory and Urban Design | Spring 2019 Studio Course | 15 | 12 | 2 | 1 | |
| 3572z0cw | Mapping and its Discontents | Fall 2013 Symposium | 15 | 2 | 7 | 2 | 4 |
| 517586sc | Within these Walls - Conversations with Creative Collaborators and Dancers of the Next Generation | Lenora Lee (Documentary, 15 minutes) | 15 | 7 | 3 | 3 | 2 |
| 9954m64v | The City and its People | Fall 2018 Studio Course | 15 | 2 | 6 | 2 | 5 |
| 1tc592bb | Angel Island Oratorio | By Huang Ruo, Conducted by Wei Cheng, Performed by the Berkeley Chamber Chorus and the Del Sol Quartet (Excerpts, 3 min) | 14 | 4 | 1 | 6 | 3 |
| 4fd4f34c | The Story Center: Storytelling Techniques | Joe Lambert and Brooke Hessler (Lecture, 60 minutes) | 14 | 8 | 3 | 1 | 2 |
| 4q5483w3 | The City and Its Moving Images: Urban Theory, Media Theory | Spring 2014 Studio Course | 14 | 7 | 3 | 4 | |
| 80b0k814 | Public Space: Placemaking and Performance | Spring 2015 Studio Course | 14 | 14 | |||
| 9188z0t0 | Urban Humanities and the Creative Practitioner- <em>in Boom California (2016)</em> | 14 | 7 | 4 | 3 | |
| 0bx12481 | Kingship, Buddhism and the Forging of a Region | 13 | 6 | 1 | 2 | 4 |
| 0h32m6fg | Art+Village+City- <em>in Thresholds (2016)</em> | 13 | 3 | 2 | 2 | 6 |
| 0ps0m7zk | Public Art / Housing Publics | Fall 2018 Symposium | 13 | 4 | 2 | 3 | 4 |
| 1tt7c1bq | <em>P[art]icipatory Urbanisms- Interviews with Urban Practioners, </em>University of California, Berkeley (2015) | 13 | 2 | 1 | 10 | |
| 4rs1c45v | <em>Embodying Peripheries,</em> Firenze University Press (2022) | 13 | 6 | 6 | 1 | |
| 5mk213mv | Reading Cities, Sensing Cities | Fall 2014 Colloquium | 13 | 2 | 8 | 3 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.