Global Urban Humanities/Future Histories Lab
Parent: UC Berkeley
eScholarship stats: History by Item for September through December, 2024
Item | Title | Total requests | 2024-12 | 2024-11 | 2024-10 | 2024-09 |
---|---|---|---|---|---|---|
38g666th | <em>P[art]icipatory Urbanisms- an anthology</em>, University of California, Berkeley (2015) | 104 | 27 | 19 | 25 | 33 |
9v64g49s | The Buzz Studio: Planning Equitable Cities for People and Pollinators | Spring 2022 Studio Course | 62 | 15 | 12 | 12 | 23 |
1zh114k8 | Designing by Radical Indigenism- <em>in Landscape Architecture Frontiers (2020)</em> | 56 | 17 | 8 | 12 | 19 |
63d1t4fr | Art + Village + City in the Pearl River Delta | 34 | 3 | 13 | 13 | 5 |
6jp8d6n5 | Art + Village + City in the Pearl River Delta<em> (2015)</em> | 34 | 8 | 7 | 11 | 8 |
53m4m68h | Berlin:The Guilt Environment | Spring 2020 Studio Course | 31 | 4 | 2 | 4 | 21 |
83f7f0ng | Yuriko Kamiya Oral History- A Year in Infamy | Miya Rosenthal (Documentary, 20 minutes) | 31 | 4 | 9 | 10 | 8 |
33h894f1 | Mexico City: Materiality, Performance and Power- <em>in Thesis Report from the Universidad Autónoma Metropolitana, Unidad Cuajimalpa (2016)</em> | 30 | 10 | 3 | 11 | 6 |
1z67m451 | Relocating Romare Bearden’s Berkeley: Capturing Berkeley’s Colorful Diversity-<em> in Boom California (2016)</em> | 27 | 7 | 8 | 11 | 1 |
0h32m6fg | Art+Village+City- <em>in Thresholds (2016)</em> | 26 | 2 | 6 | 8 | 10 |
5mh2f2h8 | Radical History of Chinatown: Designing a Digital Tour | Spring 2023 Studio Course | 25 | 6 | 7 | 9 | 3 |
5xz8q46p | Populism, art and the city: An interdisciplinary pedagogy for our time- <em>in Journal of Urban Cultural Studies (2018)</em> | 25 | 6 | 9 | 7 | 3 |
14b1x3b4 | Monumental Hydraulics: Diego Rivera’s Lerma Waterworks and the Water Temples of San Francisco- <em>in Boom California (2016)</em> | 23 | 7 | 8 | 6 | 2 |
3v00t20h | Spatial Scale and the Urban Everyday: The Physiology as a Traveling Genre (Paris: St. Petersburg, Tiflis)- in<em> The Cambridge History of World Literature (2021)</em> | 23 | 4 | 2 | 13 | 4 |
4q5483w3 | The City and Its Moving Images: Urban Theory, Media Theory | Spring 2014 Studio Course | 23 | 4 | 7 | 12 | |
8nf5c8kk | <strong>Art+Village+City in the Pearl River Delta </strong>| Spring 2015 Studio course | 22 | 1 | 6 | 6 | 9 |
44z5r8kr | “For the Love of People” Berkeley's Rainbow Sign and the Secret History of the Black Arts Movement in <em>Current Research in Digital History (2019)</em> | 21 | 7 | 3 | 10 | 1 |
7685c7cq | East Bay Revolution: Urban Spaces of Protest and Counterculture Practice | Spring 2020 Studio Course | 21 | 1 | 2 | 7 | 11 |
9966s4vx | <strong>Public Art and Social Justice: Mapping Mural Art and Narratives | </strong>Summer 2021 Studio Course | 21 | 4 | 5 | 7 | 5 |
0zv7x6cv | The Museum and the City: Reimagining the Oakland Mueum of California and its Neighborhoods | Spring 2016 Studio Course | 20 | 1 | 3 | 7 | 9 |
1tc592bb | Angel Island Oratorio | By Huang Ruo, Conducted by Wei Cheng, Performed by the Berkeley Chamber Chorus and the Del Sol Quartet (Excerpts, 3 min) | 19 | 6 | 3 | 7 | 3 |
7dc4t2wz | Borderwall Urbanism | Spring 2018 Studio Course | 18 | 2 | 10 | 6 | |
29h9z2nv | The Battle of the Bulb: Nature, Culture and Art at a San Francisco Bay Landfill- <em>in Boom California (2016)</em> | 17 | 2 | 8 | 6 | 1 |
517586sc | Within these Walls - Conversations with Creative Collaborators and Dancers of the Next Generation | Lenora Lee (Documentary, 15 minutes) | 17 | 3 | 2 | 8 | 4 |
9d00v67k | Mellon Mashup: How to Succeed in Transdisciplinary Research & Training | Fall 2018 Symposium | 17 | 2 | 5 | 10 | |
0m8953bx | Techniques of Memory: Landscape, Iconoclasm, Medium and Power | Spring 2019 Symposium | 16 | 6 | 3 | 7 | |
2kd4q2pz | Border Crossing: Interdisciplinary Experiments in the Global Urban Humanities | Fall 2018 Symposium | 16 | 3 | 2 | 10 | 1 |
9954m64v | The City and its People | Fall 2018 Studio Course | 16 | 2 | 5 | 9 | |
00v1575t | Orientation to the Global Urban Humanities e-Archive | 15 | 6 | 8 | 1 | |
3w40664m | A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design--6-minute documentary | 15 | 6 | 9 | ||
9xt9351r | In Demonstration | 15 | 3 | 12 | ||
0hm9x57t | Teatro Campesino | Kinan Valdez (Documentary, 1 minute) | 14 | 4 | 3 | 7 | |
1375w6vd | A Year on Angel Island: A Project of Future Histories Lab and Berkeley Arts+Design---9-minute documentary | 14 | 7 | 7 | ||
7507x6j7 | Reimagining the Urban: Bay Area Connections Across the Arts & Public Space | Fall 2013 Symposium | 14 | 3 | 5 | 6 | |
8jq8n62j | What Are the Urban Humanities?- <em>in Boom California (2016)</em> | 14 | 1 | 2 | 10 | 1 |
05x6q8mj | Uneven Modernity and the Peripheral City: Between Ethnography History and Literature in Tbilisi | Reading Cities, Sensing Cities Colloquium | Harsha Ram (Lecture, 50 minutes) | 13 | 3 | 3 | 5 | 2 |
46m3912n | <em>Borderwall Urbanisms: Dispatches from the US/Mexico Border</em>, University of California, Berkeley (2018) | 13 | 2 | 6 | 5 | |
60n915c5 | Border-thinking Through Wartime Incarceration Environments | Lynne Horiuchi and Anoma Peris (Lecture, 87 minutes) | 13 | 3 | 5 | 5 | |
6wf8f0n7 | Cities and Bodies | Fall 2016 Colloquium | 13 | 9 | 4 | ||
8x9837zx | Rooted in Place: Radical South Asian Storytelling Blooms in Berkeley | Barnali Ghosh (Lecture, 77 minutes) | 13 | 1 | 1 | 4 | 7 |
1tt7c1bq | <em>P[art]icipatory Urbanisms- Interviews with Urban Practioners, </em>University of California, Berkeley (2015) | 12 | 10 | 2 | ||
4fd4f34c | The Story Center: Storytelling Techniques | Joe Lambert and Brooke Hessler (Lecture, 60 minutes) | 12 | 1 | 2 | 9 | |
8648n3ws | <strong>Siteworks: Understanding Place through Design and Performance | </strong>Spring 2018 Studio Course | 12 | 5 | 4 | 3 | |
9188z0t0 | Urban Humanities and the Creative Practitioner- <em>in Boom California (2016)</em> | 12 | 3 | 5 | 4 | |
0bg0k4pd | City of One Thousand Temples | 11 | 6 | 5 | ||
0ps0m7zk | Public Art / Housing Publics | Fall 2018 Symposium | 11 | 3 | 4 | 4 | |
1km4m2xf | Practicing Geohumanities- <em>in GeoHumanities (2015)</em> | 11 | 3 | 1 | 7 | |
4kh9n35s | Undoing Time: Art and Histories of Incarceration | Julio Morales (Lecture, 75 minutes) | 11 | 2 | 7 | 2 | |
63t6w3f8 | Site-inspired Dance, Theater, and Landscapes of Incarceration | Lenora Lee and Ava Roy (Lecture, 84 minutes) | 11 | 1 | 1 | 6 | 3 |
7db699jj | Walking in Place:Using AR to Recover Fillmore’s Redevelopment Histories | Michael Epstein and Tianna (Lecture, 28 minutes) | 11 | 1 | 3 | 5 | 2 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.