California Digital Library

This paper will provide an overview of developments from the two phases of the LIFE (Lifecycle Information for E-Literature) project, LIFE1 and LIFE2, before describing the aims and latest progress from the third phase. Emphasis will be placed on the various approaches to estimate preservation costs including the use of templates to facilitate user interaction with the costing tool. The paper will also explore how the results of the Project will help to inform preservation planning and collection management decisions with a discussion of scenarios in which the LIFE costing tool could be applied. This will be supported by a description of how adopting institutions are already utilising LIFE tools and techniques to analyse and refine their existing preservation activity as well as to enhance their collection management decision making.

This paper addresses a particular domain within the sphere of activity that is coming to be known as personal digital papers or personal digital archives. We are concerned with contemporary writers of belles-lettres (fiction, poetry, and drama), and the implications of the shift toward word processing and other forms of electronic text production for the future of the cultural record, in particular literary scholarship. The urgency of this topic is evidenced by the recent deaths of several high-profile authors, including David Foster Wallace and John Updike, both of whom are known to have left behind electronic records containing unpublished and incomplete work alongside of their more traditional manuscript materials. We argue that literary and other creatively-oriented originators offer unique challenges for the preservation enterprise, since the complete digital context for individual records is often of paramount importance—what Richard Ovenden, in a helpful phrase (in conversation) has termed “the digital materiality of digital culture.” We will therefore discuss preservation and access scenarios that account for the computer as a complete artifact and digital environment, drawing on examples from the born-digital materials in literary collections at Emory University, the Harry Ransom Center at The University of Texas at Austin, and the University of Maryland.

The long term preservation is a responsibility to share with other organizations, even adopting different preservation methods and tools. The overcoming of the interoperability issues, by means of the achievement of a flawless exchange of digital assets to preserve, enables the feasibility of applying distributed digital preservation policies. The Archives Ready To AIP Transmission a PREMIS Based Project (ARTAT-PBP) aims to experiment with the adoption of a common preservation metadata standard as interchange language in a network of cooperating organizations that need to exchange digital resources with the mutual objective of preserving them in the long term.

The challenge of digital preservation of scientific data lies in the need to preserve not only the dataset itself but also the ability it has to deliver knowledge to a future user community. A true scientific research asset allows future users to reanalyze the data within new contexts. Thus, in order to carry out meaningful preservation we need to ensure that future users are equipped with the necessary information to re-use the data. This paper presents an overview of a preservation analysis methodology which was developed in response to that need on the CASPAR and Digital Curation Centre SCARP projects. We intend to place it in relation to other digital preservation practices discussing how they can interact to provide archives caring for scientific data sets with the full arsenal of tools and techniques necessary to rise to this challenge.

In this paper, I consider whether virtual worlds are history in two senses of the word. The first explores the implications of the life-cycle of virtual worlds, especially of their extinction, for thinking about the history of computerbased technologies, as well as their use. The moment when a virtual world “is history” – when it shuts down – reminds us that every virtual world has a history. Histories of individual virtual worlds are inextricably bound up with the intellectual and cultural history of virtual world technologies and communities. The second sense of the virtual world as history brings us directly to issues of historical documentation, digital preservation and curation of virtual worlds. I consider what will remain of virtual worlds after they close down, either individually or perhaps even collectively.

The Planets project is developing a service-oriented environment for the definition and evaluation of preservation strategies for human-centric data. It focuses on the question of logically preserving digital materials, as opposed to the physical preservation of content bit-streams. This includes the development of preservation tools for the automated characterization, migration, and comparison of different types of digital objects as well as the emulation of their original runtime environment in order to ensure longtime access and interpretability. The Planets integrated environment provides a number of end-user applications that allow data curators to execute and scientifically evaluate preservation experiments based on composable preservation services. In this paper, we focus on the middleware and programming model and show how it can be utilized in order to create complex preservation workflows.

Effective digital preservation depends on a set of preservation services that work together to ensure that digital objects can be preserved for the long-term. These services need digital preservation metadata, in particular, descriptions of the properties that digital objects may have and descriptions of the requirements that guide digital preservation services. This paper analyzes how these services interact and use this metadata and develops a data dictionary to support them.

The Web is increasingly becoming a platform for linked data. This means making connections and adding value to data on the Web. As more data becomes openly available and more people are able to use the data, it becomes more powerful. An example is file format registries and the evaluation of format risks. Here the requirement for information is now greater than the effort that any single institution can put into gathering and collating this information. Recognising that more is better, the creators of PRONOM, JHOVE, GDFR and others are joining to lead a new initiative, the Unified Digital Format Registry. Ahead of this effort a new RDF-based framework for structuring and facilitating file format data from multiple sources including PRONOM has demonstrated it is able to produce more links, and thus provide more answers to digital preservation questions - about format risks, applications, viewers and transformations - than the native data alone. This paper will describe this registry, P2, and its services, show how it can be used, and provide examples where it delivers more answers than the contributing resources.

Library and Archives Canada has a wide mandate to preserve and provide access to Canadian published heritage, records of national significance, as well as to acquire the records created by the Government of Canada, deemed to be of historical importance. To address this mandate, Library and Archives Canada has undertaken the development of a digital preservation infrastructure covering policy, standards and enterprise applications which will serve requirements for ingest, metadata management, preservation and access. The purpose of this paper is to focus on the efforts underway to engage digital recordkeeping activities in the Government of Canada and to influence and align those processes with LAC digital preservation requirements. The LAC strategy to implement preservation considerations early in the life cycle of the digital record is to establish a mandatory legislative and policy framework for recordkeeping in government. This includes a Directive on Recordkeeping, Core Digital Records Metadata Standard for archival records, Digital File Format Guidance, as well as Web 2.0 and Email Recordkeeping Guidelines. The expected success of these initiatives, and collaborative approach should provide a model for other digital heritage creators in Canada.

The process of setting up a digital preservation repository in compliancy with the OAIS model is not only a technical challenge: libraries also need to develop and maintain appropriate skills and organizations. Digital activities, including digital preservation, are nowadays moving into the mainstream activity of the Library and are integrated in its workflows. The Bibliothèque nationale de France (BnF) has been working on the definition of digital preservation activities since 2003. This paper aims at presenting the organizational and human resources challenges that have been faced by the library in this context, and those that are still awaiting us. The library has been facing these challenges through a variety of actions at different levels: organizational changes, training sessions, dedicated working group and task forces, analysis of skills and processes, etc. The results of these actions provide insights on how a national library is going digital, and what is needed to reach this longstanding goal.