Open Access Policy Deposits
Parent: Department of English
eScholarship stats: History by Item for November, 2024 through February, 2025
| Item | Title | Total requests | 2025-02 | 2025-01 | 2024-12 | 2024-11 |
|---|---|---|---|---|---|---|
| 5gc857tw | The Meaning of the Digital Humanities | 328 | 73 | 92 | 76 | 87 |
| 23h6v6x8 | The state of the digital humanities | 164 | 46 | 61 | 34 | 23 |
| 2b12683k | "Dataveillance and Countervailance" | 152 | 32 | 50 | 38 | 32 |
| 8mx2s7qq | World Literature | 128 | 34 | 54 | 15 | 25 |
| 33v8c3xx | The Power of Formalism: The New Historicism | 126 | 42 | 30 | 28 | 26 |
| 0r2200zw | Borges and AI | 105 | 24 | 23 | 25 | 33 |
| 45m8t3xb | Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse | 102 | 34 | 37 | 16 | 15 |
| 2zc805t4 | “Who are these people?”: Anthropomorphism, Dehumanization and the Question of the OtherMy thanks to Larry Squire for his encouragement and comments on an earlier draft, to Joseph McCrudden for alerting me to Leopold’s cat in his unpublished paper and to the ICLA literary theory committee for their 2012 meeting on animals. | 101 | 27 | 25 | 30 | 19 |
| 2xw2v7bt | The Journal of World Literature: The Chinese Scriptworld | 84 | 25 | 35 | 15 | 9 |
| 9kf4x4pc | Rocket Theory | 82 | 16 | 12 | 31 | 23 |
| 9p08q4wq | "Algorithmic Translations" | 74 | 27 | 24 | 15 | 8 |
| 87g1b7hk | Securing with algorithms: Knowledge, decision, sovereignty | 70 | 18 | 16 | 19 | 17 |
| 65z3479m | "In the wake of Ovid's unicorn" | 68 | 25 | 13 | 8 | 22 |
| 4jq9p6vz | Communicating Liberty: the Newspapers of the British Empire as a Matrix for the American Revolution | 64 | 15 | 18 | 14 | 17 |
| 5nd7453p | Political Activism and Women's Modernism | 62 | 22 | 16 | 16 | 8 |
| 8847v06r | The Asemic at the End of the World | 62 | 10 | 23 | 18 | 11 |
| 1t98x642 | Txtual Practice | 60 | 18 | 26 | 6 | 10 |
| 41j5b4jx | The First Professional: The Women Writers’ Suffrage League | 60 | 19 | 16 | 10 | 15 |
| 01x5v98g | Mobile Media Poetics | 56 | 16 | 18 | 8 | 14 |
| 6pb8q42t | RED DOT SIGHT | 55 | 17 | 24 | 8 | 6 |
| 4b51t5kv | The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf | 53 | 16 | 14 | 17 | 6 |
| 0m87j6n1 | Working Under Precarity: Work Affect and Emotional Labor | 49 | 12 | 15 | 4 | 18 |
| 3nt8x916 | Breaking the Code of The Matrix; or, Hacking Hollywood to Liberate Film | 49 | 17 | 9 | 11 | 12 |
| 8453532n | "Inter Alia: Aliens and AI" | 49 | 15 | 10 | 8 | 16 |
| 3b79g6q7 | "Does AI Have a Future?" | 46 | 10 | 10 | 19 | 7 |
| 9p67x23g | Henry Fielding | 44 | 15 | 6 | 15 | 8 |
| 3345019x | Hacking the Voice of the Shuttle: The Growth and Death of a Boundary Object | 43 | 18 | 16 | 4 | 5 |
| 3197s6zp | Code.surface || Code.depth | 39 | 18 | 13 | 6 | 2 |
| 8t8633qs | Digital Humanities for the Next Five Minutes | 38 | 13 | 13 | 10 | 2 |
| 5vt7j6m8 | Igaz Torteneten Alapul (Hungarian Translation of "Based on a True Story") | 35 | 7 | 15 | 10 | 3 |
| 6bm7c99d | Local Transcendence: Cultural Criticism, Postmodernism, and the Romanticism of Detail | 33 | 13 | 7 | 9 | 4 |
| 83m0m08x | Playing With Unicorns: <i>AI Dungeon</i> and Citizen NLP | 32 | 13 | 7 | 2 | 10 |
| 0dd6k9gt | Future of Public Higher Education in California | 29 | 9 | 8 | 4 | 8 |
| 2tc8p10q | The Shape of Transnational American Studies: Good and Excellent News | 29 | 12 | 6 | 6 | 5 |
| 7tc3h7tq | Review of Feminist Media history: Suffrage, Periodicals and the Public Sphere, by Maria Dicenzo with L. Delap and L. Ryann | 28 | 9 | 8 | 4 | 7 |
| 94c2r4hr | Mediating women's suffrage literature | 28 | 4 | 16 | 3 | 5 |
| 3mb1z52c | 10 Print Chr$(205. 5+rnd(1)); : Goto 10 | 27 | 9 | 2 | 4 | 12 |
| 21t7g1q1 | The Future of Technology and the University | 25 | 15 | 6 | 1 | 3 |
| 2hm0z00n | Special Editor’s Note | 24 | 7 | 8 | 2 | 7 |
| 5vh3q5bg | 50% Laughter, 50% Despair: A Dialogue with Jarett Kobek. | 24 | 8 | 6 | 4 | 6 |
| 9rg5g6t3 | Women Writers Suffrage League | 24 | 12 | 7 | 5 | |
| 147887rn | The ‘hard’ problem from a literary perspective: on cognitive literary criticism | 22 | 7 | 7 | 2 | 6 |
| 1k9093bs | Intimate Visualities: Intimacy as Social Critique and Radical Possibility in Kyle Abraham and Carrie Schneider's Dance Response Project's I am Sold and Blood on the Leaves | 22 | 10 | 1 | 9 | 2 |
| 56t2b9bf | The Book of Ashes: Authorial Instructions, Incorporations, and House Rules in Jimmy Corrigan: The Smartest Kid on Earth | 22 | 10 | 4 | 4 | 4 |
| 7827v5wg | Translitteraties: le big bang de la lecture en ligne | 22 | 10 | 7 | 3 | 2 |
| 1dk7s9tg | Metempsychosis and Chiasmatic Encounters: On Margaret Drabble's The Red Queen | 21 | 5 | 7 | 4 | 5 |
| 41d2f9kq | Scriptworlds | 21 | 11 | 1 | 8 | 1 |
| 1z8739qv | The Future of Literary History | 20 | 12 | 4 | 2 | 2 |
| 5j54p05j | Big Brother! Dear Leader!: On Transparency and Emotional Policing | 20 | 6 | 4 | 3 | 7 |
| 76m848jb | An Unknown Masterpiece: On Pak Kyongni’s Land and World Literature | 20 | 8 | 9 | 1 | 2 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.