UCLA Entertainment Law Review

eScholarship stats: History by Item for September through December, 2024

Item	Title	Total requests	2024-12	2024-11	2024-10	2024-09
4bj7x2tb	Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code	712	171	209	183	149
8m05g3fd	The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business	650	146	175	216	113
9nx765zs	The Pas de Deux Between Unionization and Federal Arts Funding: Why Congress Must Address Its Overcorrection That Impeded the Freelance Dance Industry	448	57	165	197	29
15x9v864	Drugs in Cinema: Separating the Myths from Reality	404	87	101	122	94
4cj0r474	PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol	388	65	111	117	95
8g286268	15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos	342	34	48	169	91
7n4322vm	The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry	285	87	75	75	48
056242s2	Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation	262	52	97	64	49
3hn5m3vr	Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows	221	58	60	58	45
88z2z7wm	Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California	208	71	53	54	30
2ws0z1vj	Children Are Making It Big (for EVERYONE ELSE): The Need for CHILD LABOR LAWS Protecting Child Influencers	186	186
4m93289m	Trifling and Gambling With Virtual Money	179	62	36	51	30
6xg2x20x	Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry	167	48	41	48	30
8sw2722p	NFTs and the Art World – What's Real, and What's Not	161	45	35	44	37
3r22g6bc	The Inequitable Taxation of Low- and Mid-Income Performing Artists	154	27	46	38	43
96h003jt	First World Problems:' A Fair Use Analysis of Internet Memes	154	50	34	52	18
3g70x78x	Digital Sampling: A Cultural Perspective	144	35	38	41	30
4b89f43k	Drawing the Line Between Personal Managers and Talent Agents: <em>Waisbren v. Peppercorn</em>	132	38	29	32	33
1g32z0dx	Dangerous Bodies: Freak Shows, Expression, and Exploitation	131	53	28	32	18
7g87m864	Section 230 of the Communications Decency Act: A "Good Samaritan" Law Without the Requirement of Acting as a "Good Samaritan"	127	42	33	32	20
84b725b5	Does Exploiting a Child Amount to Employing a Child? The FLSA's Child Labor Provisions and Children on Reality Television	110	17	35	35	23
1g64067m	<em>Reel Justice--The Courtroom Goes to the Movies</em> by Michael Asimow and Paul Bergman. Kansas City, Missouri: Andrews & McMeel, 1996. Approx. 300 pp.	109	41	19	24	25
1mv4704s	Audio Pastiche: Digital Sampling, Intermediate Copying, Fair Use	108	36	36	26	10
92n3k361	The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant	106	27	26	34	19
406064n4	“Oh [Yes], She Betta [Should]!”: Dolling Up Drag Queens’ Intellectual Property Rights	103	24	25	38	16
1bw8d13j	"The Simpsons" and the Law: Revealing Truth and Justice to the Masses	100	24	25	30	21
2q46j1kb	Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials	92	25	20	29	18
0n29d9kq	Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation	91	18	35	24	14
9s1555np	Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants?	88	14	28	29	17
4pq7547z	Bringing Balance to the Antitrust Force: Revising the Paramount Decrees for the Modern Motion Picture Market	87	25	23	31	8
5pt6643c	An Alternative Operating Model for the Record Industry Based on the Development and Application of Non-Traditional Financial Models	87	23	19	28	17
4q22v4rd	Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients	82	19	25	21	17
5xt7w38p	<em>Dastar</em> Through European Eyes: Effects of the Public Domain on Transatlantic Trade	82	23	16	24	19
0442v3gk	Post Post-Paramount Decrees: The Evolution of Antitrust Concerns as the Film Industry Transforms	79	79
05h5f32h	The Trouble with Mergers Is . . .	77	22	21	18	16
4b2909vc	NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM	75	16	24	20	15
6s30w7pt	Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism	75	20	17	23	15
7k678644	Let’s Get Ready to Unbundle! It’s Time for the UFC to Offer Individual Fights For Purchase	75	24	27	15	9
2152q2t4	Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape	74	22	24	19	9
41d817dg	Let Them Authenticate: Deterring Art Fraud	73	21	22	17	13
1x38s0hj	The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation	71	16	26	12	17
2677b7kd	Front Matter	71	17	18	20	16
4bd4n43d	[SONG ENDS] – Why Movie and Television Producers Should Stop Using Copyright as an Excuse Not to Caption Song Lyrics	69	18	17	23	11
0sg7k4cn	SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era?	63	24	24	10	5
2h250435	The Environmental Cost of Filmmaking	59	10	12	17	20
9s0757ts	The Right of Publicity: Preventing the Exploitation of a Celebrity's Identity or Promoting the Exploitation of the First Amendment?	59	14	18	14	13
4n00j4j3	The Internet Doesn’t Forget: Redefining Privacy Through an American Right to Be Forgotten	58	16	18	10	14
1nc6n14s	A Full 360: How the 360 Deal Challenges the Historical Resistance to Establishing a Fiduciary Duty Between Artist and Label	56	19	13	17	7
8dx7t149	Securities Regulation in a Virtual World	55	18	21	12	4
54t8f1vd	Art is Big Business: Fine Art, Fair Use, and Factor Four After Goldsmith	54	10	15	17	12

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