UCLA Entertainment Law Review
Parent: UCLA School of Law
eScholarship stats: Breakdown by Item for September through December, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 4bj7x2tb | Restrictions Against Press and Paparazzi in California: Analysis of Sections 1708.8 and 1708.7 of the California Civil Code | 712 | 104 | 608 | 14.6% |
| 8m05g3fd | The Streaming Wars+: An Analysis of Anticompetitive Business Practices in Streaming Business | 650 | 423 | 227 | 65.1% |
| 9nx765zs | The Pas de Deux Between Unionization and Federal Arts Funding: Why Congress Must Address Its Overcorrection That Impeded the Freelance Dance Industry | 448 | 21 | 427 | 4.7% |
| 15x9v864 | Drugs in Cinema: Separating the Myths from Reality | 404 | 350 | 54 | 86.6% |
| 4cj0r474 | PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol | 388 | 96 | 292 | 24.7% |
| 8g286268 | 15 Minutes of Shame? Copyright Issues in Celebrity Sex Videos | 342 | 40 | 302 | 11.7% |
| 7n4322vm | The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry | 285 | 61 | 224 | 21.4% |
| 056242s2 | Beyond the Bots: Ticked-Off Over Ticket Prices or The Eternal Scamnation | 262 | 116 | 146 | 44.3% |
| 3hn5m3vr | Reality Bites: The Limits of Intellectual Property Protection for Reality Television Shows | 221 | 88 | 133 | 39.8% |
| 88z2z7wm | Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California | 208 | 137 | 71 | 65.9% |
| 2ws0z1vj | Children Are Making It Big (for EVERYONE ELSE): The Need for CHILD LABOR LAWS Protecting Child Influencers | 186 | 40 | 146 | 21.5% |
| 4m93289m | Trifling and Gambling With Virtual Money | 179 | 119 | 60 | 66.5% |
| 6xg2x20x | Not Yet Rated: Self-Regulation and Censorship Issues in the U.S. Film Industry | 167 | 116 | 51 | 69.5% |
| 8sw2722p | NFTs and the Art World – What's Real, and What's Not | 161 | 115 | 46 | 71.4% |
| 3r22g6bc | The Inequitable Taxation of Low- and Mid-Income Performing Artists | 154 | 45 | 109 | 29.2% |
| 96h003jt | First World Problems:' A Fair Use Analysis of Internet Memes | 154 | 86 | 68 | 55.8% |
| 3g70x78x | Digital Sampling: A Cultural Perspective | 144 | 126 | 18 | 87.5% |
| 4b89f43k | Drawing the Line Between Personal Managers and Talent Agents: <em>Waisbren v. Peppercorn</em> | 132 | 49 | 83 | 37.1% |
| 1g32z0dx | Dangerous Bodies: Freak Shows, Expression, and Exploitation | 131 | 80 | 51 | 61.1% |
| 7g87m864 | Section 230 of the Communications Decency Act: A "Good Samaritan" Law Without the Requirement of Acting as a "Good Samaritan" | 127 | 101 | 26 | 79.5% |
| 84b725b5 | Does Exploiting a Child Amount to Employing a Child? The FLSA's Child Labor Provisions and Children on Reality Television | 110 | 35 | 75 | 31.8% |
| 1g64067m | <em>Reel Justice--The Courtroom Goes to the Movies</em> by Michael Asimow and Paul Bergman. Kansas City, Missouri: Andrews & McMeel, 1996. Approx. 300 pp. | 109 | 91 | 18 | 83.5% |
| 1mv4704s | Audio Pastiche: Digital Sampling, Intermediate Copying, Fair Use | 108 | 67 | 41 | 62.0% |
| 92n3k361 | The Media SLAPP Back: An Analysis of California's Anti- SLAPP Statute and the Media Defendant | 106 | 20 | 86 | 18.9% |
| 406064n4 | “Oh [Yes], She Betta [Should]!”: Dolling Up Drag Queens’ Intellectual Property Rights | 103 | 50 | 53 | 48.5% |
| 1bw8d13j | "The Simpsons" and the Law: Revealing Truth and Justice to the Masses | 100 | 70 | 30 | 70.0% |
| 2q46j1kb | Rap Sheets: The Constitutional and Societal Complications Arising From the Use of Rap Lyrics as Evidence at Criminal Trials | 92 | 29 | 63 | 31.5% |
| 0n29d9kq | Celebrating Two Decades of Unlawful Progress: Fan Distribution, Proselytization Commons, and the Explosive Growth of Japanese Animation | 91 | 34 | 57 | 37.4% |
| 9s1555np | Bowie Bonding in the Music Biz: Will Music Royalty Securitization be the Key to the Gold for Music Industry Participants? | 88 | 62 | 26 | 70.5% |
| 4pq7547z | Bringing Balance to the Antitrust Force: Revising the Paramount Decrees for the Modern Motion Picture Market | 87 | 41 | 46 | 47.1% |
| 5pt6643c | An Alternative Operating Model for the Record Industry Based on the Development and Application of Non-Traditional Financial Models | 87 | 2 | 85 | 2.3% |
| 4q22v4rd | Sending Agents to the Principal’s Office: How Talent Agency Packaging and Producing Breach the Fiduciary Duties Agents Owe Their Artist-Clients | 82 | 12 | 70 | 14.6% |
| 5xt7w38p | <em>Dastar</em> Through European Eyes: Effects of the Public Domain on Transatlantic Trade | 82 | 2 | 80 | 2.4% |
| 0442v3gk | Post Post-Paramount Decrees: The Evolution of Antitrust Concerns as the Film Industry Transforms | 79 | 48 | 31 | 60.8% |
| 05h5f32h | The Trouble with Mergers Is . . . | 77 | 34 | 43 | 44.2% |
| 4b2909vc | NEW USES AND NEW PERCENTAGES: MUSIC CONTRACTS, ROYALTIES, AND DISTRIBUTION MODELS IN THE DIGITAL MILLENNIUM | 75 | 23 | 52 | 30.7% |
| 6s30w7pt | Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism | 75 | 3 | 72 | 4.0% |
| 7k678644 | Let’s Get Ready to Unbundle! It’s Time for the UFC to Offer Individual Fights For Purchase | 75 | 46 | 29 | 61.3% |
| 2152q2t4 | Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape | 74 | 24 | 50 | 32.4% |
| 41d817dg | Let Them Authenticate: Deterring Art Fraud | 73 | 38 | 35 | 52.1% |
| 1x38s0hj | The Dilemma of False Positives: Making Content ID Algorithms more Conducive to Fostering Innovative Fair Use in Music Creation | 71 | 38 | 33 | 53.5% |
| 2677b7kd | Front Matter | 71 | 22 | 49 | 31.0% |
| 4bd4n43d | [SONG ENDS] – Why Movie and Television Producers Should Stop Using Copyright as an Excuse Not to Caption Song Lyrics | 69 | 23 | 46 | 33.3% |
| 0sg7k4cn | SPORTS, GIFS AND COPYRIGHT: Is it a Draw between Content Owners and Consumers in the Web 2.0 Era? | 63 | 39 | 24 | 61.9% |
| 2h250435 | The Environmental Cost of Filmmaking | 59 | 44 | 15 | 74.6% |
| 9s0757ts | The Right of Publicity: Preventing the Exploitation of a Celebrity's Identity or Promoting the Exploitation of the First Amendment? | 59 | 23 | 36 | 39.0% |
| 4n00j4j3 | The Internet Doesn’t Forget: Redefining Privacy Through an American Right to Be Forgotten | 58 | 22 | 36 | 37.9% |
| 1nc6n14s | A Full 360: How the 360 Deal Challenges the Historical Resistance to Establishing a Fiduciary Duty Between Artist and Label | 56 | 47 | 9 | 83.9% |
| 8dx7t149 | Securities Regulation in a Virtual World | 55 | 44 | 11 | 80.0% |
| 54t8f1vd | Art is Big Business: Fine Art, Fair Use, and Factor Four After Goldsmith | 54 | 36 | 18 | 66.7% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.