UCLA Department of French and Francophone Studies
Parent: UCLA
eScholarship stats: History by Item for November, 2024 through February, 2025
| Item | Title | Total requests | 2025-02 | 2025-01 | 2024-12 | 2024-11 |
|---|---|---|---|---|---|---|
| 7p92b81t | “Under a Foreign Sky:” Place and Displacement in James Baldwin’s Giovanni’s Room | 197 | 52 | 32 | 44 | 69 |
| 8qt465qh | The Abject: Kristeva and the Antigone | 197 | 55 | 48 | 44 | 50 |
| 8jx194fw | Chronique d’une mort annoncée : les métamorphoses du pouvoir dans Le Légataire universel (1708) | 175 | 32 | 32 | 64 | 47 |
| 96b0x72c | Modern Transitions in 19th Century Paris: Baudelaire and Renoir | 145 | 23 | 35 | 38 | 49 |
| 9p34b4n1 | Le discours fantastique de La Morte amoureuse | 126 | 25 | 45 | 28 | 28 |
| 5899b43t | Laïcité in the French Public School System : an exception française ? | 125 | 28 | 40 | 27 | 30 |
| 2wc036nv | Maupassant nouvelliste: personnage féminin et adultère | 117 | 20 | 57 | 28 | 12 |
| 9x23439n | Les Géorgiques de Claude Simon : la particularité de la généralisation | 112 | 30 | 30 | 23 | 29 |
| 3891m6db | « Je ne suis pas de la famille » : Queerness as Exception in Gide's L 'immoraliste and Genet's Journal du Voleur | 110 | 27 | 23 | 29 | 31 |
| 7b14d5wn | Magic and Mesmerism in Saint Domingue | 104 | 30 | 20 | 31 | 23 |
| 7444f0z3 | The Logic of the Undecidable: An Interview with René Girard | 100 | 22 | 27 | 36 | 15 |
| 0ns0j1n9 | The (Wo)Man in the Iron Mask: Cross-dressing, Writing and Sexuality in L'Histoire de la Marquise-Marquis de Banneville | 99 | 22 | 26 | 30 | 21 |
| 7dn778pk | Memory as Construction in Viollet-le-Duc's Architectural Imagination | 98 | 20 | 29 | 23 | 26 |
| 4sj933mb | Ghost-Ridden Authors/Ghost-Written Texts: Female Phantoms in Two Works by André Breton and Georges Bataille | 96 | 24 | 25 | 24 | 23 |
| 8p45g78n | Le nationalisme de Barrès : Moi, la terre et les morts | 95 | 29 | 19 | 21 | 26 |
| 3w76w31c | Le troc des femmes ou la révolte de Dora | 89 | 17 | 26 | 20 | 26 |
| 4pf9v8f2 | “Ceux-là Qui Partent pour Partir”: Travel as Relinquishment in Charles Baudelaire's Le Voyage | 87 | 26 | 19 | 23 | 19 |
| 80d3h4rx | Nom du père / nom d'auteur : les origines énigmatiques du Fresne | 87 | 23 | 17 | 21 | 26 |
| 0hf6j7v5 | "What About the Audience? What About Them?" : Spectatorship and Cinematic Pleasure | 86 | 24 | 19 | 18 | 25 |
| 1d48d7wx | Between fantasque and fantasmagorique: a fantastic reading of Balzac's La Peau de Chagrin | 86 | 13 | 33 | 23 | 17 |
| 1323z44w | Michelet et le renouvellement de l’Histoire : une subversion du passé monarchique au profit d’une mémoire républicaine ? | 85 | 26 | 17 | 19 | 23 |
| 28g992w9 | Exile and Identity in the Plays of Maryse Condé | 85 | 22 | 21 | 28 | 14 |
| 7qz8v7jf | ‘Le grand fantôme’ : Actor as Specter in Diderot’s Paradoxe sur le comédien | 85 | 21 | 24 | 21 | 19 |
| 06m9d9r0 | Classical Aesthetics, Modem Ethics: Lacan, Kierkegaard, Sophocles, Anouilh | 83 | 23 | 21 | 18 | 21 |
| 0bj5t7hw | An Elusive Vision: Genesis and Apocalypse in <em>Le Ravissement de Lol V. Stein</em> | 83 | 20 | 18 | 26 | 19 |
| 0p58k5dc | The Summit of Violence: Cruelty in the work of Artaud and Bataille | 83 | 16 | 20 | 22 | 25 |
| 58q2k2nh | The Unity of Hérédia’s Antony and Cleopatra Sequence | 82 | 22 | 22 | 17 | 21 |
| 8031p7sm | Mémoires du « bled » : Entretien avec Alain Ricard | 82 | 21 | 22 | 20 | 19 |
| 1g95g1s9 | ‘That God Within:’ Writing Female Genius from Diderot to Staël | 81 | 19 | 22 | 24 | 16 |
| 27v5k4gc | An Interview with Jonathan Culler | 81 | 17 | 21 | 21 | 22 |
| 1879912w | Performing the Immigrant: The Works of Calixthe Beyala and Fatou Diome | 80 | 24 | 21 | 16 | 19 |
| 75z5r782 | Bodies of Enlightenment in Diderot's Encyclopédie | 80 | 24 | 15 | 14 | 27 |
| 9x11c70q | French Folie: Memory and Madness in Buñuel’s Belle de Jour | 79 | 21 | 14 | 23 | 21 |
| 7tm4j8wd | La création d’un idéal national français à travers la redécouverte de La Chanson de Roland par Léon Gautier | 77 | 23 | 19 | 17 | 18 |
| 7v9615hg | The Profound Complicity of George Batailie's Blue of Noon | 77 | 18 | 23 | 15 | 21 |
| 8xm8x3v6 | (Auto)biographic Algerian Travels of Albert Camus and Assia Djebar | 76 | 18 | 29 | 15 | 14 |
| 1gr5c8cr | The Ghetto Novels of Guillaume Dustan | 75 | 21 | 20 | 18 | 16 |
| 4r82s45p | Charting Collaborative Practices: Acknowledgements | 75 | 17 | 19 | 22 | 17 |
| 6h90406n | "I am a Woman": The Body as Background in The Second Sex | 73 | 19 | 10 | 18 | 26 |
| 2jf516kb | La Dame pipi du quarante-quatrième étage: l’exil et la marge dans Stupeurs et Tremblements d’Amélie Nothomb | 72 | 17 | 21 | 18 | 16 |
| 3d48x20g | Jamming the Machine: Yves Klein's Blue Monochrome and the End of the Avant-Garde | 70 | 20 | 12 | 18 | 20 |
| 5031q3js | Exquisite Corpses: Representations of Violence in the Collective Surrealist Unconscious | 69 | 19 | 14 | 18 | 18 |
| 3fj1s346 | Le Passage ou l'architecture du devenir | 67 | 15 | 21 | 16 | 15 |
| 1pz7t9qn | Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra's Juletane | 66 | 20 | 14 | 9 | 23 |
| 24v3331g | Genre-Crossing: Kingston's The Woman Warrior and Its Discursive Community | 66 | 19 | 12 | 22 | 13 |
| 4j7246jk | Georges Perec--La Disparition des manipulations sur le langage pour interpréter le réel | 66 | 21 | 22 | 12 | 11 |
| 3vz2d3dj | Le bijou dans l’œuvre de Baudelaire : une mutilation symbolique | 65 | 19 | 15 | 16 | 15 |
| 8h50z8df | Michel Houellebecq: The Impossibility of Being an Island | 64 | 13 | 17 | 14 | 20 |
| 6pj4f154 | Alain Robbe-Grillet: Sex and Violence or the Destruction of the Traditional Novel | 61 | 17 | 11 | 20 | 13 |
| 8zr1t8xj | Assia Djebar’s Vaste est la prison: Platform for a New Space of Agency and Feminine Enunciation in Algeria | 60 | 17 | 14 | 15 | 14 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.