Writings / Presentations
Parent: Integrated Composition, Improvisation and Technology (ICIT)
eScholarship stats: History by Item for September through December, 2024
| Item | Title | Total requests | 2024-12 | 2024-11 | 2024-10 | 2024-09 |
|---|---|---|---|---|---|---|
| 7hf4q6w5 | Asian Americans and Creative Music Legacies | 74 | 21 | 22 | 21 | 10 |
| 8v0022bd | The ‘E’ in NIME: Musical Expression with New Computer Interfaces | 73 | 24 | 16 | 14 | 19 |
| 3n70x2dv | Time, Virtuosity, and Ethics Otherwise: Queer Resonances for Diasporic Play | 57 | 22 | 13 | 11 | 11 |
| 3p4375n5 | Gestural Control of Music Using the Vicon 8 Motion Capture System | 55 | 15 | 12 | 22 | 6 |
| 6qd4d7nv | Aesthetic Considerations in the Use of “Virtual” Music Instruments | 45 | 10 | 9 | 17 | 9 |
| 9dm8t6vh | Thinking Telematically: Improvising Music Worlds Under COVID and Beyond | 33 | 6 | 11 | 9 | 7 |
| 7ww3h3xx | Realtime Stochastic Decision Making for Music Composition and Improvisation | 26 | 8 | 9 | 7 | 2 |
| 3w9072ps | Relational Music: A Participatory Approach Towards Live Experimental Electronic Music | 20 | 4 | 6 | 9 | 1 |
| 9n2184ws | Improvising in a different clave: Steve Coleman and AfroCuba de Matanzas | 20 | 3 | 4 | 10 | 3 |
| 7ck721n4 | STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE | 19 | 9 | 3 | 4 | 3 |
| 6r01k343 | Networked music performance: An introduction for musicians and educators | 17 | 2 | 4 | 6 | 5 |
| 0p09t56h | Face to Face, Byte to Byte: Approaches to Human Interaction in a Digital Music Ensemble | 16 | 5 | 4 | 4 | 3 |
| 8d57f43p | Ritualized Performance in the Networked Era | 16 | 3 | 1 | 7 | 5 |
| 9tt9s9k0 | Intentional Inclusion :Promoting Diversity in Graduate Study of Music Technology | 16 | 5 | 2 | 8 | 1 |
| 0x85j9td | EXPRESSIVE GESTURE : A TECHNIQUE FOR THE USE OF GESTURE DESCRIPTORS IN ALGORITHMIC IMPROVISATION | 15 | 5 | 8 | 2 | |
| 13t7r5w0 | Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media | 13 | 2 | 2 | 8 | 1 |
| 625285wz | New Polyphonies: Score Streams, Improvisation and Telepresence | 13 | 1 | 1 | 8 | 3 |
| 71j6w686 | A METHOD FOR COMPUTER CHARACTERIZATION OF "GESTURE" IN MUSICAL IMPROVISATION | 11 | 1 | 1 | 8 | 1 |
| 5t46v6kh | Determining the Feasibility of Networked Musical Performances over WANs, LANs, and WLANs (Part 1: MIDI) | 10 | 4 | 2 | 4 | |
| 7ws9x4dh | Cultural ‘Content’ in Korean Music Made with Computers | 10 | 4 | 1 | 3 | 2 |
| 8766r1b7 | Programming New Realtime DSP Possibilities with MSP | 8 | 3 | 4 | 1 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.