Department of Art

Parent: UC Irvine

eScholarship stats: Breakdown by Item for December, 2024 through March, 2025

ItemTitleTotal requestsDownloadView-only%Dnld
3s7118mrThe potential of dance as embodied learning1996613333.2%
3j9916pwTaking Up the Bodies and Bringing Forth a World: Lecoq's Actor Training and Enactivism10651014.7%
6qs682kwThinking with the Dancing Brain: Embodying Neuroscience, Abstract86246227.9%
0142h57xStudied Sentiments: A Look at Jennifer Doyle's Hold it Against Me: Difficulty and Emotion in Contemporary Art696638.7%
09d8c49kNotes on Art and Transcendance695647.2%
5dq3z200Neuroscience of Rhetoric and Poetry, Abstract672653.0%
7xq2t8bh40 Volume522503.8%
6w42d6p2FCJ-132 Towards a Performative Aesthetics of Interactivity49103920.4%
96q1h7xzPainting is a whale49163332.7%
3z93s2xcAnd You Are the Wound473446.4%
0qr0z45gMusic Emergent: Autopoiesis and Connected Worlds4654110.9%
5p60z4psAesthetics of Adaptive Behaviors in Agent-based Art45153033.3%
31g4p0dnMusical Worlds and the Extended Mind42123028.6%
8680g0tbTo Talk of Many Things, Of Stories, Ships and String, of Connections, Collaborations, Knowledges and Kin: Prehistoric Seafaring and Embodied Cognition42222052.4%
9638m2nxIn Conversation with Fred Moten38152339.5%
1ds0r585De-Anthropologising the Human and its Impact on Racism: A Third World Perspective3773018.9%
0qj66829Editor's Note351342.9%
81w0g89cPedagogia del corpo-Embodied Pedagogy: An Italian perspective35142140.0%
6m10z8c8Mosh Phenomenology34191555.9%
9d18w5drAn Introduction to Radical Embodied Cognitive Neuroscience3462817.6%
9qk5765mDress, Score, Tether3443011.8%
78286968Phenomenality, Narrativity, Tulpamancy; Experience Without Subjects?, Abstract3382524.2%
90m0g1s1Cyclops and Slashes332316.1%
3wf8g2btbill of rights for bodies when the are born on planet earth322306.3%
84w6d37jTime is of the essence31102132.3%
36b624twIn Conversation with Alan Gilbert3032710.0%
24n07548A path from Irvine: Theatrical and anthropological explorations of self-knowledge2952417.2%
4183z46pEmbodied Reflection29111837.9%
5p45g68pPerceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems29141548.3%
30h4m2mpEmpathy and groove in musical movement28121642.9%
8b8351vxJoint improvisation as interaction ritual, Abstract2882028.6%
06k3f9ghPhysical sketching, abstract movements and creative processes - the promise of updating the body schema with haptics, Abstract2732411.1%
5zq0v7sgPolymeters, Body, and Mind: One Musician's Creative Experiments with (Dis)embodied Rhythm27141351.9%
63c7w29vTaxi Ride to Gauguin: An Interview with Amy Sillman & Nicole Eisenman2781929.6%
0gr297z0Learning with the body: investigating the link between musical interaction and the acquisition of musical knowledge and skills, Abstract2632311.5%
53g1153xMultisensorial experiences and embodied knowledge of professional dancers in ballet practices2681830.8%
5pq1d76dThe affordances of inscribed mediations: Troubling the subject/object dichotomy in knowledge production2632311.5%
9gp8s1cnDear Camilla (On 54 Bones Gleaning the Storm)2632311.5%
9p66b2bjSounds from the Electrified Human Body: Reconfigurations of Embodied and Encultured Knowledge from the Development of Electrosomatophones26101638.5%
338644bdEmbodied dreaming and improvisation in public and private places: contribution of neurophenomenology and art practice to subjectivity research, Abstract252238.0%
5dz7g3vmEmbodied Perception in Somatic Sound, Abstract242228.3%
8dd5979nJoint improvisation in the arts practices: Entrainment, engagement, and expert skill2491537.5%
0wx9p4rwArt as Embodied Evolution, Abstract231224.3%
7nn1251dThe Embodied Musician: Creating the Foundation for Interpretation and Movement2261627.3%
9s9077ngBEHAVIORAL OBJECTS: A New Paradigm for Art and Design?, Abstract222209.1%
38z6g0msCritical Unmaking: Divination, the Algorithm, and the Practice of Automatic Writing, Abstract2151623.8%
0g42b9bqInterdisciplinary Approaches to Interaction, Abstract2021810.0%
7960z5wxUsing theatre and art-based pedagogy to achieve the practices of science in the student body, Abstract1961331.6%
8x1240m5'Feeling at one': Distribution of minds, bodies and beats in dance music, Abstract1941521.1%
91g306dsUntying the Knot of Dance Movement Expertise: An Enactive Approach1931615.8%

Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.