Department of German
Parent: UC Berkeley
eScholarship stats: History by Item for October, 2024 through January, 2025
| Item | Title | Total requests | 2025-01 | 2024-12 | 2024-11 | 2024-10 |
|---|---|---|---|---|---|---|
| 4ht6w6zv | The Madonna in the Fur Coat | 2,711 | 2,295 | 220 | 103 | 93 |
| 05v6x4cz | Language | 364 | 42 | 135 | 48 | 139 |
| 8z157865 | Gramática da Língua Neerlandesa, a língua dos holandeses e dos flamengos | 293 | 86 | 88 | 55 | 64 |
| 28x3x9r0 | Criss-Crossing in Global Space and Time: Fatih Akın’s <em>The Edge of Heaven</em> (2007) | 253 | 64 | 53 | 34 | 102 |
| 5vv1k105 | BOOK REVIEW: <em>The Wehrmacht: History, Myth, Reality</em>, by Wolfram Wette | 150 | 45 | 29 | 37 | 39 |
| 06t7z88k | “The Welser Phantom”: Apparitions of the Welser Venezuela Colony in Nineteenth- and Twentieth-Century German Cultural Memory | 147 | 41 | 36 | 38 | 32 |
| 1hh9d5h5 | Translingual Encounters: Freedom, Civic Virtue, and the Social Organism in Liang Qichao's Reading of Kant | 147 | 27 | 39 | 40 | 41 |
| 7nm7g8vt | Good-bye, Germany! | 144 | 50 | 33 | 27 | 34 |
| 6js8p1fc | Of Women and Polyglots: Yoko Tawada’s “Where Europe Begins” and Rosi Braidotti’s Transnational Feminist Nomadology | 137 | 24 | 33 | 23 | 57 |
| 3vr5v24v | Emotionale Landschaften der Migration: Von unsichtbaren Grenzen, Nicht-Ankommen und dem Tod in Stanišićs Herkunft und Varatharajahs Vor der Zunahme der Zeichen | 135 | 40 | 41 | 25 | 29 |
| 1x84x67r | Willkommenskultur: A Computational and Socio-linguistic Study of Modern German Discourse on Migrant Populations | 130 | 30 | 37 | 33 | 30 |
| 4rw9f66w | Fears | 117 | 37 | 23 | 25 | 32 |
| 4g25t3hw | World Conspiracy Literature and Antisemitism | 116 | 29 | 27 | 28 | 32 |
| 8v8324k1 | Privileges | 116 | 29 | 40 | 24 | 23 |
| 6ns880hg | "Where Europe Begins": A Selection from the Short Story | 109 | 27 | 18 | 33 | 31 |
| 9gp0f163 | Multilingual Development in Germany in the Crossfire of Ideology and Politics: Monolingual and Multilingual Expectations, Polylingual Practices | 109 | 33 | 25 | 29 | 22 |
| 0s5217j0 | Translation Terminable and Interminable: Psychoanalysis Between Vienna and Calcutta | 107 | 32 | 28 | 17 | 30 |
| 1nd8r83v | The Courtyard in the Mirror | 103 | 30 | 16 | 22 | 35 |
| 3f08h6rr | “With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016) | 102 | 53 | 49 | ||
| 4h2456f7 | Das deutsche Kolonialerbe in der Jugendkolonialliteratur der BRD und der DDR | 99 | 28 | 23 | 29 | 19 |
| 6w635760 | Home | 99 | 26 | 30 | 23 | 20 |
| 7sd2s0v6 | How Does Arriving Feel? Modulating a Cinematic Sense of Commonality | 98 | 30 | 25 | 18 | 25 |
| 1h59512w | PROJECT TWO: Patterns of the Anthemion: Discovering Networks of Coincidence in W.G. Sebald’s Die Ausgewanderten | 97 | 27 | 25 | 17 | 28 |
| 2gq4t3b0 | Ungehaltene neue deutsche Literatur | 95 | 24 | 27 | 21 | 23 |
| 3pz8z9z1 | In the Postmonolingual Condition: Karin Sander’s <em>Wordsearch</em> and Yoko Tawada’s Wordplay | 94 | 27 | 21 | 18 | 28 |
| 4xx374qk | Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke | 94 | 32 | 20 | 21 | 21 |
| 7dx4811v | Hardboiled Performance and Affective Intimacy: Remediations of Racism in the Cenk Batu Tatorte | 93 | 30 | 22 | 20 | 21 |
| 5848p76c | <em>GLUB</em> (<em>Hearts</em>) | 92 | 26 | 18 | 19 | 29 |
| 14z3z257 | BOOK REVIEW: Fatima El-Tayeb, European Others | 90 | 23 | 28 | 14 | 25 |
| 4fr0n8bw | Ming Wong’s Imitations | 89 | 23 | 16 | 27 | 23 |
| 8jp4268s | Memory Meetings: Semra Ertan’s Ausländer and the Practice of the Migrant Archive | 89 | 23 | 22 | 24 | 20 |
| 3hv706g2 | Amigo Armado | 88 | 34 | 13 | 19 | 22 |
| 9h79g172 | The Multilingual Experience: Insights from Language Memoirs | 88 | 39 | 14 | 16 | 19 |
| 8xb6q0nn | BOOK REVIEW | White Rebels in Black: German Appropriation of Black Culture | 85 | 18 | 22 | 18 | 27 |
| 4130n258 | BOOK REVIEW: Amerika und die deutschsprachige Literatur nach 1848. Migration – kultureller Austausch – frühe Globalisierung, hrsg. von Christof Hamann, Ute Gerhard, und Walter Grünzweig | 84 | 27 | 22 | 17 | 18 |
| 7b1182cz | Visible | 84 | 24 | 16 | 19 | 25 |
| 90b8w0dh | Pathways of Migrant Incorporation in Germany | 84 | 28 | 22 | 14 | 20 |
| 0g88k3hr | "Almanya: A [Different] Future is Possible” Defying Narratives of Return in Fatma Aydemir's Ellbogen | 83 | 26 | 21 | 22 | 14 |
| 0cc704mx | Selections from Kopfstoff | 82 | 18 | 24 | 16 | 24 |
| 23t4g25g | Encounters on a Street Corner: <em>Sommer vorm Balkon</em> and the Return of the Berlin Film | 82 | 22 | 37 | 10 | 13 |
| 75p2s2m9 | BOOK REVIEW: <em>Mapping Channels between Ganges and Rhein: German-Indian Cross-Cultural Relations</em>, Jörg Esleben, Christina Kraenzle and Sukanya Kulkarni, eds. | 82 | 28 | 21 | 17 | 16 |
| 8wm4w20x | November: A Film Treatment | 82 | 19 | 15 | 15 | 33 |
| 9241h87r | <em>Tracking Europe: Mobility, Diaspora, and the Politics of Location</em>, by Ginette Verstraete | 82 | 27 | 20 | 12 | 23 |
| 2hc0x9bk | Flânerie | 81 | 26 | 20 | 15 | 20 |
| 7bz7881d | Catalog of Everything | 81 | 18 | 16 | 21 | 26 |
| 2qk4q8rh | Night Bioscope | 80 | 15 | 8 | 18 | 39 |
| 237303vn | Cohesion Without Coherence: Artificial Intelligence and Narrative Form | 78 | 45 | 33 | ||
| 2m4950cj | Contested Memory and Narrative within GDR-Polish Intercultural Landscapes: Ursula Höntsch’s Wir Flüchtlingskinder (1985) and Wir sind keine Kinder mehr (1990) | 78 | 9 | 32 | 15 | 22 |
| 3j368484 | Multidirectional Memory and Verwobene Geschichte(n) | 75 | 18 | 22 | 12 | 23 |
| 1xr1r6n8 | Work | 74 | 20 | 14 | 15 | 25 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.