Room One Thousand
Parent: Department of Architecture
eScholarship stats: History by Item for October, 2024 through January, 2025
Item | Title | Total requests | 2025-01 | 2024-12 | 2024-11 | 2024-10 |
---|---|---|---|---|---|---|
1rr6730h | Environmental Autobiography | 136 | 48 | 26 | 37 | 25 |
60b551vb | City of One Thousand Temples | 126 | 12 | 18 | 49 | 47 |
1h99r3k0 | Debating “Democracy”: The International Union of Architects and the Cold War Politics of Expertise | 122 | 33 | 39 | 25 | 25 |
9zc3j356 | The Art of Mud Building in Djenné, Mali | 115 | 22 | 21 | 33 | 39 |
6g46r2qh | Petropolises: A Quest for Soft Infrastructure as Water-Based Urbanisms of the Floating Frontier City | 107 | 23 | 25 | 22 | 37 |
25f1r08h | A Container and Its Contents: Re-Reading Tomás Maldonado’s Design, Nature, and Revolution: Toward a Critical Ecology (1970, trans. 1972) | 101 | 36 | 24 | 17 | 24 |
0m40f595 | The Rhetoric of Return | 98 | 27 | 30 | 18 | 23 |
18f9p6np | Temporary Flows & Ephemeral Cities | 95 | 30 | 16 | 18 | 31 |
48g7p0cg | The Seduction of the Glass Box | 87 | 27 | 19 | 19 | 22 |
61s916g9 | Fear and Bernard of Clairvaux's Living Stones | 84 | 20 | 21 | 19 | 24 |
85m8f9b8 | Sites of Representation | 80 | 23 | 14 | 19 | 24 |
41p985tw | From the Fields to the City Gates | 75 | 18 | 20 | 17 | 20 |
2878k5gt | Reflections on a Drawing | 74 | 15 | 18 | 15 | 26 |
0kd7813b | Ziyaretler | 73 | 16 | 24 | 12 | 21 |
10g1v3rz | Housing the Dead: A lense through local densification patterns | 55 | 24 | 14 | 7 | 10 |
3j47g590 | De Vieux-Montréal à Kahnawa:ké | 50 | 18 | 13 | 3 | 16 |
91b4d524 | Spaces of Complexity On Not-Knowing, Un- Learning and ‘Panoramas of Possibilties’ | 48 | 8 | 6 | 23 | 11 |
9xw7702k | Book Review: Peggy Deamer's "The Architect as Worker" | 48 | 15 | 10 | 9 | 14 |
0mt5n9x2 | Dynamic Ceramic | 41 | 5 | 8 | 7 | 21 |
5gg4q7v8 | GeoGuessr's Digital Pilgrimages | 40 | 9 | 13 | 9 | 9 |
5275768f | Saturated FAT: Replete Image in Architecture | 39 | 12 | 13 | 5 | 9 |
3rw8z7kh | City of the Captive Audience | 35 | 13 | 14 | 2 | 6 |
2d94c0mk | Modelling architecture in the world of expertise | 34 | 17 | 5 | 5 | 7 |
2q49h698 | First Kill All the Experts | 34 | 9 | 11 | 8 | 6 |
4t87g8bw | Reading a Drawer | 33 | 7 | 12 | 9 | 5 |
87b164db | Researching Architectural Research | 33 | 8 | 9 | 6 | 10 |
6k69x342 | Blacksmith Caravans on the Move | 30 | 14 | 6 | 3 | 7 |
6sq020zz | Aether House | 30 | 9 | 11 | 2 | 8 |
9rx186d7 | The Note | 30 | 11 | 8 | 4 | 7 |
6k71z8xx | Overlap/Succesion/Sedimentation | 29 | 10 | 11 | 2 | 6 |
7416t44v | A Career at the Hinge: Paul Groth and Cultural Landscape Studies | 28 | 11 | 6 | 2 | 9 |
7hq5t8mm | Water's Pilgrimage in Rome | 28 | 12 | 10 | 4 | 2 |
0rv8v3fs | Review of Colorless Tsukuru Tazaki and His Years of Pilgrimage | 27 | 4 | 7 | 9 | 7 |
4h06x4gm | Center for the Built Environment: tools & technologies for performance | 27 | 7 | 10 | 2 | 8 |
6tq4c6js | Eiffel’s Apartment and the Architecture of Dreams | 27 | 5 | 8 | 2 | 12 |
8vn4g2jd | Kingship, Buddhism and the Forging of a Region | 26 | 7 | 5 | 7 | 7 |
3mt1550t | Who What When Where How Why | 25 | 8 | 6 | 2 | 9 |
06v9t36f | A World of Play: Architecture on the Carpet and the Work of Brenda and Robert Vale | 24 | 3 | 4 | 9 | 8 |
0m87s8p1 | Concrete's Many Fair-Faces | 24 | 3 | 5 | 4 | 12 |
1678061j | A Reverse History of Modernism: What Connects Prague to Le Corbusier? | 24 | 7 | 3 | 1 | 13 |
61w3h53x | Nearing Nanjing, 1938 | 24 | 6 | 7 | 7 | 4 |
4h65h2qg | A Fistful of Barley | 22 | 6 | 5 | 2 | 9 |
6xd232bc | Losing My Religion in Oaxaca | 21 | 2 | 6 | 7 | 6 |
82v623pq | Little Boxes: High Tech and the Silicon Valley | 20 | 5 | 3 | 7 | 5 |
2zn5f32k | Introduction | 18 | 7 | 4 | 7 | |
5rf3s68g | Scenes of Sun City | 18 | 9 | 4 | 1 | 4 |
7bb700th | RM1000: Souvenir Nostalgia | 18 | 4 | 5 | 5 | 4 |
4550q9jz | Urban Pilgrimage | 17 | 5 | 7 | 1 | 4 |
5q72z90w | Father, Child, & Ban - Nine Square Novel | 17 | 3 | 5 | 3 | 6 |
73j961b9 | Contents | 17 | 4 | 7 | 6 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.