Room One Thousand
Parent: Department of Architecture
eScholarship stats: Breakdown by Item for October, 2024 through January, 2025
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 1rr6730h | Environmental Autobiography | 136 | 51 | 85 | 37.5% |
| 60b551vb | City of One Thousand Temples | 126 | 8 | 118 | 6.3% |
| 1h99r3k0 | Debating “Democracy”: The International Union of Architects and the Cold War Politics of Expertise | 122 | 33 | 89 | 27.0% |
| 9zc3j356 | The Art of Mud Building in Djenné, Mali | 115 | 75 | 40 | 65.2% |
| 6g46r2qh | Petropolises: A Quest for Soft Infrastructure as Water-Based Urbanisms of the Floating Frontier City | 107 | 10 | 97 | 9.3% |
| 25f1r08h | A Container and Its Contents: Re-Reading Tomás Maldonado’s Design, Nature, and Revolution: Toward a Critical Ecology (1970, trans. 1972) | 101 | 9 | 92 | 8.9% |
| 0m40f595 | The Rhetoric of Return | 98 | 10 | 88 | 10.2% |
| 18f9p6np | Temporary Flows & Ephemeral Cities | 95 | 20 | 75 | 21.1% |
| 48g7p0cg | The Seduction of the Glass Box | 87 | 9 | 78 | 10.3% |
| 61s916g9 | Fear and Bernard of Clairvaux's Living Stones | 84 | 6 | 78 | 7.1% |
| 85m8f9b8 | Sites of Representation | 80 | 1 | 79 | 1.3% |
| 41p985tw | From the Fields to the City Gates | 75 | 5 | 70 | 6.7% |
| 2878k5gt | Reflections on a Drawing | 74 | 2 | 72 | 2.7% |
| 0kd7813b | Ziyaretler | 73 | 5 | 68 | 6.8% |
| 10g1v3rz | Housing the Dead: A lense through local densification patterns | 55 | 10 | 45 | 18.2% |
| 3j47g590 | De Vieux-Montréal à Kahnawa:ké | 50 | 29 | 21 | 58.0% |
| 91b4d524 | Spaces of Complexity On Not-Knowing, Un- Learning and ‘Panoramas of Possibilties’ | 48 | 11 | 37 | 22.9% |
| 9xw7702k | Book Review: Peggy Deamer's "The Architect as Worker" | 48 | 25 | 23 | 52.1% |
| 0mt5n9x2 | Dynamic Ceramic | 41 | 6 | 35 | 14.6% |
| 5gg4q7v8 | GeoGuessr's Digital Pilgrimages | 40 | 15 | 25 | 37.5% |
| 5275768f | Saturated FAT: Replete Image in Architecture | 39 | 8 | 31 | 20.5% |
| 3rw8z7kh | City of the Captive Audience | 35 | 0 | 35 | 0.0% |
| 2d94c0mk | Modelling architecture in the world of expertise | 34 | 6 | 28 | 17.6% |
| 2q49h698 | First Kill All the Experts | 34 | 3 | 31 | 8.8% |
| 4t87g8bw | Reading a Drawer | 33 | 7 | 26 | 21.2% |
| 87b164db | Researching Architectural Research | 33 | 7 | 26 | 21.2% |
| 6k69x342 | Blacksmith Caravans on the Move | 30 | 10 | 20 | 33.3% |
| 6sq020zz | Aether House | 30 | 0 | 30 | 0.0% |
| 9rx186d7 | The Note | 30 | 3 | 27 | 10.0% |
| 6k71z8xx | Overlap/Succesion/Sedimentation | 29 | 2 | 27 | 6.9% |
| 7416t44v | A Career at the Hinge: Paul Groth and Cultural Landscape Studies | 28 | 9 | 19 | 32.1% |
| 7hq5t8mm | Water's Pilgrimage in Rome | 28 | 16 | 12 | 57.1% |
| 0rv8v3fs | Review of Colorless Tsukuru Tazaki and His Years of Pilgrimage | 27 | 7 | 20 | 25.9% |
| 4h06x4gm | Center for the Built Environment: tools & technologies for performance | 27 | 5 | 22 | 18.5% |
| 6tq4c6js | Eiffel’s Apartment and the Architecture of Dreams | 27 | 17 | 10 | 63.0% |
| 8vn4g2jd | Kingship, Buddhism and the Forging of a Region | 26 | 9 | 17 | 34.6% |
| 3mt1550t | Who What When Where How Why | 25 | 1 | 24 | 4.0% |
| 06v9t36f | A World of Play: Architecture on the Carpet and the Work of Brenda and Robert Vale | 24 | 8 | 16 | 33.3% |
| 0m87s8p1 | Concrete's Many Fair-Faces | 24 | 5 | 19 | 20.8% |
| 1678061j | A Reverse History of Modernism: What Connects Prague to Le Corbusier? | 24 | 17 | 7 | 70.8% |
| 61w3h53x | Nearing Nanjing, 1938 | 24 | 10 | 14 | 41.7% |
| 4h65h2qg | A Fistful of Barley | 22 | 3 | 19 | 13.6% |
| 6xd232bc | Losing My Religion in Oaxaca | 21 | 4 | 17 | 19.0% |
| 82v623pq | Little Boxes: High Tech and the Silicon Valley | 20 | 9 | 11 | 45.0% |
| 2zn5f32k | Introduction | 18 | 2 | 16 | 11.1% |
| 5rf3s68g | Scenes of Sun City | 18 | 14 | 4 | 77.8% |
| 7bb700th | RM1000: Souvenir Nostalgia | 18 | 6 | 12 | 33.3% |
| 4550q9jz | Urban Pilgrimage | 17 | 6 | 11 | 35.3% |
| 5q72z90w | Father, Child, & Ban - Nine Square Novel | 17 | 3 | 14 | 17.6% |
| 73j961b9 | Contents | 17 | 1 | 16 | 5.9% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.