Refract: An Open Access Visual Studies Journal
Parent: UC Santa Cruz
eScholarship stats: Breakdown by Item for September through December, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 3rb6n5q7 | BLAST RADIUS: No. 4 in a Series of Data Humanization Performances | 310 | 4 | 306 | 1.3% |
| 9n15q89f | The Face of an Empire: Cosmetics and Whiteness in Imperial Portraits of Queen Elizabeth I | 282 | 72 | 210 | 25.5% |
| 7xm6v7j2 | My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now Titled, The Responsibility of Being That Sort of Baby, March 24–July 25, 20 | 230 | 44 | 186 | 19.1% |
| 5w56c6n3 | Trans Self-Imaging Praxis, Decolonizing Photography, and the Work of Alok Vaid-Menon | 167 | 34 | 133 | 20.4% |
| 50g5j00d | Images, Copyright, and the Future of Digital Publishing in the Arts | 158 | 40 | 118 | 25.3% |
| 0p507033 | Denis Diderot’s “Salons” as Art Conservation in Eighteenth-Century France | 155 | 3 | 152 | 1.9% |
| 94q869s6 | (Un)veiling Sappho: Renée Vivien and Natalie Clifford Barney’s Radical Translation Projects | 136 | 26 | 110 | 19.1% |
| 1z0340v4 | Mere Image: Caravaggio, Virtuosity, and Medusa’s Averted Eyes | 130 | 23 | 107 | 17.7% |
| 3zm9t9mc | Introduction to “Refraction” | 123 | 4 | 119 | 3.3% |
| 4q20b7qq | Synthesizing a Dual-Definition of Façade in the Western Palaces of the Yuanming Yuan: Art, Politics, and Place-making in the Garden of Perfect Brightness | 114 | 12 | 102 | 10.5% |
| 9tt733sc | The Double Edge of Visibility and Invisibility: Cassils and Queer Exhaustion | 106 | 44 | 62 | 41.5% |
| 4dv7j9tv | Maurice Denis (1870–1943) and the Sacred Grove: Temporality in Fin de Siècle France | 103 | 26 | 77 | 25.2% |
| 8vc716rq | Visualizing Banaba: Art and Research about a Diffracted Pacific Island | 103 | 7 | 96 | 6.8% |
| 15h4c86z | Refract Journal, Issue 1: "Refraction" | 91 | 16 | 75 | 17.6% |
| 5r76v48z | I’m New Here: Black and Indigenous Media Ecologies: Curatorial Statement | 88 | 23 | 65 | 26.1% |
| 0qk2z1c2 | Refract Journal, Volume 2: "Translation" | 85 | 12 | 73 | 14.1% |
| 9w11p9st | Photogrammetry and Zhongshan Pavilion: Reconstructing Urban Memory of the Wenxi Fire | 85 | 3 | 82 | 3.5% |
| 4259n982 | What is Radical Writing in Visual Studies? | 84 | 6 | 78 | 7.1% |
| 5d99g907 | VOLTA VOLTA | 68 | 2 | 66 | 2.9% |
| 1fw4b73b | In the Traces: Reflections on Fieldwork in the Region of Ani | 64 | 22 | 42 | 34.4% |
| 2r4924w1 | Land, Water, Explorer: Place-Making “America” in the Early Modern Period | 64 | 15 | 49 | 23.4% |
| 0q8867m4 | Letter from the Editor | 62 | 4 | 58 | 6.5% |
| 9ps74313 | Sensing Place | 62 | 18 | 44 | 29.0% |
| 2r58110h | The Trophy and The Appeal: Colonial Photography and the Ghosts of Witnessing in German Southwest Africa | 56 | 8 | 48 | 14.3% |
| 3dm5k83w | Mapping Sonic Futurities | 54 | 13 | 41 | 24.1% |
| 7s96s6kb | “If You’re Out There, Please Listen to Me…”: Voices of Mourning Through the Wind Phone (Kaze no Denwa) | 48 | 12 | 36 | 25.0% |
| 86g096rx | Craptions: Instagram Notes from Joseph Grigely | 47 | 6 | 41 | 12.8% |
| 8z75g1k7 | Imagining the Future of Digital Publishing | 47 | 19 | 28 | 40.4% |
| 9818j6f7 | Navigating Media, Technology, and Narrative: Considering the Digital Turn in Scholarly Publishing | 46 | 10 | 36 | 21.7% |
| 26t834v1 | Harun Farocki, Serious Games III (Immersion) (Review) | 44 | 3 | 41 | 6.8% |
| 9ps0d7z3 | From a Native Daughter: Seeking Home and Ancestral Lines through a Dashboard Hula Girl | 43 | 9 | 34 | 20.9% |
| 78x622wh | The Televised Apocalypse | 42 | 6 | 36 | 14.3% |
| 8k61f03t | Beyond Borders and Biology: Lisa Myeong-Joo’s Self-Portrait of a Circle (2016) | 41 | 9 | 32 | 22.0% |
| 6kg3223z | “Translation, Translation, Rehearsal” in Conversation | 40 | 4 | 36 | 10.0% |
| 98n4g1zw | The Future of Digital Publishing | 40 | 14 | 26 | 35.0% |
| 0288q432 | Glimmers of Digital Publishing Innovation | 39 | 12 | 27 | 30.8% |
| 1jb7j7r4 | Mining Things: Confronting Loss and Flux in the Slate Industry Ruins of Northwest Wales | 39 | 5 | 34 | 12.8% |
| 3d78r1db | The Somatic and Textural Language of Patricia Belli: Recrafting Social and Political Bodies in 1990s Nicaragua | 36 | 10 | 26 | 27.8% |
| 9js641pt | Amalia Mesa-Bains and the Archive: An Interview with the Artist | 36 | 15 | 21 | 41.7% |
| 697345pn | Power Geometry in Urban Memory: Reading Taksim Square Through the Concept of Representation of Space | 35 | 3 | 32 | 8.6% |
| 0jm0w8c7 | Front Matter | 34 | 6 | 28 | 17.6% |
| 7b11466t | Documenting Gender's Signs: Site, Performance, and the US-Mexico Border in Contemporary Art | 33 | 6 | 27 | 18.2% |
| 7wf111p2 | Peer Review Models, Publication Types, Open Access, and the Future | 33 | 6 | 27 | 18.2% |
| 73x8c0xw | Tito/Tata: Fiction and Factuality in Documentary Photographs of the Father Figure in Communist Yugoslavia | 32 | 2 | 30 | 6.3% |
| 0cp7z1rr | Glitching the State: The Mechanics of Resistance in Ricardo Piglia’s La Ciudad Ausente | 29 | 3 | 26 | 10.3% |
| 1n63968d | Public Displays of Affection | 29 | 7 | 22 | 24.1% |
| 6x75v6kd | Happy Bullish 2011!!!: Olek’s Project B | 29 | 1 | 28 | 3.4% |
| 1nz6x651 | Visualizing Precarity and Security: Mona Hatoum’s Drowning Sorrows and Guadalupe Maravilla’s Walk on Water | 28 | 7 | 21 | 25.0% |
| 8g38v41w | The Struggle of Memory against Forgetting: Afterlife and Memorialization of Imagery Surrounding South Africa’s Truth and Reconciliation Commission | 28 | 4 | 24 | 14.3% |
| 6cd60127 | Daisy Bell | 27 | 2 | 25 | 7.4% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.