Pacific Arts: The Journal of the Pacific Arts Association
Parent: UC Santa Cruz
eScholarship stats: Breakdown by Item for September through December, 2024
| Item | Title | Total requests | Download | View-only | %Dnld |
|---|---|---|---|---|---|
| 00w843tk | “Tattoo the Women, but Not the Men”: Female Tattooing in Tonga | 316 | 35 | 281 | 11.1% |
| 2gd9j917 | The Mataisau Clan of Fiji: Roles and Responsibilities | 168 | 17 | 151 | 10.1% |
| 9gq79727 | Curating Pacific Art in the United States: A Roundtable Discussion | 122 | 29 | 93 | 23.8% |
| 4bv6d581 | Creative Practice and Pedagogy with the Marshall Islands: Navigating a Critical Call-and-Response | 117 | 12 | 105 | 10.3% |
| 81b2f26x | ʻĀina in Contemporary Art of Hawaiʻi | 103 | 8 | 95 | 7.8% |
| 7t16n5t9 | Exhibition Review: Ancestry and Kinship in Yolŋu Curation | 99 | 77 | 22 | 77.8% |
| 0fs8g50p | Exhibition Review: Project Banaba, Bernice Pauahi Bishop Museum | 98 | 16 | 82 | 16.3% |
| 1zc8p4dx | Photographing Matrilineal Power and Prestige in the Hawaiian Kingdom | 96 | 20 | 76 | 20.8% |
| 4t62m737 | Pacific Presences: A Retrospect | 96 | 20 | 76 | 20.8% |
| 6db23955 | Book Series Review: Pacific Presences, 9 vol., Nicholas Thomas (general editor) | 91 | 16 | 75 | 17.6% |
| 5zp727jr | Belatedly and Finally: The Early Time of the Indigenous in the Concurrent Contemporary | 90 | 27 | 63 | 30.0% |
| 08r6w8pn | Partnership, Collaboration, and Community Engagement: Reflections on Applied Repatriation in a Small Museum | 89 | 19 | 70 | 21.3% |
| 8z45x79s | Gestures of Survivance: Angela Tiatia’s Lick and Feminist Environmental Performance Art in Oceania | 89 | 16 | 73 | 18.0% |
| 0xz7j5z0 | Mana i te Whenua: Relationships with Place and Sovereignty | 81 | 7 | 74 | 8.6% |
| 34w1g7x9 | Pacific Arts N.S. Vol. 24, No. 1 (2024) | 79 | 17 | 62 | 21.5% |
| 6sn1w9wt | Snail Paradise Trilogy: A Series by Chang En-man | 78 | 11 | 67 | 14.1% |
| 4r89j7k5 | Pacific Arts N.S. Vol. 24, No. 1 (2024) | 77 | 20 | 57 | 26.0% |
| 8x36j9d3 | Learning to Surf (Seʻe) on a Wave, from Island to Urbanesia | 76 | 3 | 73 | 3.9% |
| 9xg3292t | The Healer’s Wound (Exhibition and Artist’s Book) | 76 | 10 | 66 | 13.2% |
| 3w73k2mz | Exhibition Review Nā Māla: Layered Landscapes of Kona Coffee Heritage, curated by Mina Elison. Donkey Mill Art Center, Kona, Hawaiʻi, October 24, 2020 – December 12, 2020. | 74 | 3 | 71 | 4.1% |
| 6st508tf | The Āpuakehau Stream, its Role in Waikīkī, and Muliwai (2022) | 74 | 8 | 66 | 10.8% |
| 7vn3n7z9 | Obituary: Roger Boulay (1943—2024) | 67 | 12 | 55 | 17.9% |
| 44f4d693 | Pacific Arts N.S. Vol. 22 No. 1 (2022) | 65 | 3 | 62 | 4.6% |
| 4b79w9v6 | Making Room for Earth in Hawaiʻi: Sean Connelly’s A Small Area of Land | 65 | 6 | 59 | 9.2% |
| 0cn206gx | Announcements | 62 | 5 | 57 | 8.1% |
| 0wz8226k | The ASB Polyfest: The Construction of Transnational Pacific Cultural Spaces in Auckland, Aotearoa New Zealand | 54 | 10 | 44 | 18.5% |
| 1kt7k6t4 | nothing important happened today: An Interview with Vernon Ah Kee | 54 | 8 | 46 | 14.8% |
| 0516q9rb | Artists Concern: Visualising Environmental Destruction in Papua New Guinea | 50 | 7 | 43 | 14.0% |
| 3dj984zp | Project Banaba: A Dialogue on Exhibition Collaboration and Methods | 49 | 5 | 44 | 10.2% |
| 2st0x4wj | Media Review: Whakapapa/Algorithms | 47 | 4 | 43 | 8.5% |
| 51p8w8t6 | “Who Are We Without Land?”: Climate Change, Place, and Identity in the Work of Joycelin Kauc Leahy | 45 | 2 | 43 | 4.4% |
| 06c835v1 | The Future of our Roots and the Land: The Re-vival of the Atayal Weaving Material Ramie | 42 | 7 | 35 | 16.7% |
| 54p491cm | Seeking Gender Identity in the Contexts of Atayal: An Art Project | 42 | 13 | 29 | 31.0% |
| 89s702ss | Canoe Carvings from Western Solomon Islands: The Operative Efficacy of Simultaneous Visual Presences | 41 | 9 | 32 | 22.0% |
| 92c161s7 | Watsonville is in the Heart: Documenting Histories of Transpacific Filipino Migration in the Pajaro Valley | 41 | 15 | 26 | 36.6% |
| 2pj6g8w4 | A Journey of Healing, Discovery, and Transformation: Hohou Te Rongo | 40 | 6 | 34 | 15.0% |
| 3z59s1ft | Between the Betweenness: Restoring the Vā | 40 | 4 | 36 | 10.0% |
| 9bp1n9m2 | Duty-Free Paradise | 40 | 2 | 38 | 5.0% |
| 1fg192dp | Adorning the Ears: On Marquesan Ear Ornamentation | 38 | 15 | 23 | 39.5% |
| 73k4s2c9 | Special Issue "Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa" | 38 | 7 | 31 | 18.4% |
| 8p41f4f8 | Natalie Robertson: Toxic Waters | 38 | 6 | 32 | 15.8% |
| 9mh3k7zk | Exhibition Review: Paradise Camp at the Aotearoa/New Zealand Pavilion of the 59th Venice Biennale | 38 | 14 | 24 | 36.8% |
| 16m186zr | Traditional Amis Architecture and Its Environment in a Contemporary Context | 35 | 5 | 30 | 14.3% |
| 6172k5f8 | Shell Rings of Power: Gender Relations in Material Culture Production on the Aitape Islands, Papua New Guinea | 33 | 8 | 25 | 24.2% |
| 6cm3p20q | Across Country: Waterlines | 33 | 7 | 26 | 21.2% |
| 7gf8616w | Angels in West Papua. In Memoriam Donatus Moiwend | 33 | 8 | 25 | 24.2% |
| 1rk5v8xq | Albert Wendt: Writing in Color | 32 | 5 | 27 | 15.6% |
| 9jk6c4vz | From the Edge through the Vā: Introduction to “Pacific Island Worlds: Oceanic Dis/Positions” | 32 | 11 | 21 | 34.4% |
| 1v173988 | Tātara e maru ana: Renewing Ancestral Connections with the Sacred Rain Cape of Waiapu Kōkā Hūhua | 31 | 6 | 25 | 19.4% |
| 6j4185sp | Introduction to this special issue on "Art and Environment in Oceania" | 31 | 5 | 26 | 16.1% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.