New German Review: A Journal of Germanic Studies
Parent: Department of Germanic Languages
eScholarship stats: History by Item for September through December, 2024
| Item | Title | Total requests | 2024-12 | 2024-11 | 2024-10 | 2024-09 |
|---|---|---|---|---|---|---|
| 3h54k0zg | Das Leben als Krankheit: Kafkas Ein Landarzt | 189 | 41 | 52 | 54 | 42 |
| 0cf1s57j | The Eternal Return as Sexual Affirmation | 187 | 37 | 23 | 73 | 54 |
| 38h3c5hs | Transitions of a Myth? The Idea of a Language-Defined <em>Kulturnation</em> in Germany | 153 | 43 | 22 | 35 | 53 |
| 1fg6076b | Vergangenheitsbewältigung: Historikerstreit and the Notion of Continued Responsibility | 134 | 40 | 34 | 28 | 32 |
| 3x1430hg | Transgressing the Intellectual Status Quo: How Transhumanism Seeks to Overcome More than Biological Limitations | 93 | 34 | 21 | 17 | 21 |
| 0cf7n4vp | About the Authors | 90 | 26 | 16 | 28 | 20 |
| 36m3j9w0 | Robert Musil's Literary Ethics: <em>The Man without Qualities</em> Reconsidered | 78 | 22 | 22 | 17 | 17 |
| 96r8v804 | Raumerfahrung zwischen Dorf, Sanatorium und Schneelandschaft: Grenzüberschreitungen in Adalbert Stifters <em>Bergkristall</em> und Thomas Manns <em>Der Zauberberg</em> | 64 | 23 | 16 | 13 | 12 |
| 7j74x7b6 | The Red and the Black: Race in the DEFA Indianerfilm Osceola | 60 | 10 | 15 | 29 | 6 |
| 00x1s112 | Huyssen, Andreas. <em>Miniature Metropolis: Literature in an Age of Photography and Film</em>. Cambridge, MA and London, UK: Harvard UP, 2015. | 52 | 11 | 15 | 17 | 9 |
| 4w78g868 | Narrating the Date: Brecht’s <em>Cäsar und sein Legionär</em> and the Calendar Story | 38 | 11 | 10 | 9 | 8 |
| 1678m2rc | On the Question of ‘Real Modern Art’ in East Germany: Werner Tübke’s <em>Fünf Kontinente</em> | 32 | 12 | 5 | 14 | 1 |
| 5t92x6jd | Review: Vertrauen und Gewalt. Versuch über eine besondere Konstellation der Moderne | 30 | 3 | 7 | 9 | 11 |
| 2wp9k8jz | Cry Wolf? Encounter Controversy: Christa Wolf's Legacy in Light of the Literature Debate | 27 | 3 | 9 | 9 | 6 |
| 3xp8f163 | Review: A Foreign Affair: Billy Wilder's American Films | 27 | 9 | 13 | 4 | 1 |
| 6225t5wf | Intersecting at the Real: Painting, Writing, and Human Community in Adalbert Stifter’s <em>Nachkommenschaften</em> (1864) | 27 | 8 | 5 | 11 | 3 |
| 08c68335 | Udohla––Plattform für Karoline von Günderrodes philosophische Gedanken | 25 | 7 | 2 | 5 | 11 |
| 5jh6n6n4 | “Die Ewigkeit als Dauererektion”: Synchronic and Diachronic Abjection in Heiner Müller’s <em>Quartett</em> | 25 | 10 | 1 | 13 | 1 |
| 80x7x4q8 | Front Matter | 24 | 8 | 2 | 7 | 7 |
| 8hh2j8g0 | TOC | 24 | 15 | 7 | 2 | |
| 1wz1x3cq | Eulenspiegel auf dem Pegasus: Wolfgang Koeppen als Stadtschreiber von Bergen-Enkheim | 23 | 8 | 3 | 7 | 5 |
| 2mk3967d | Ernst, Jutta/Florian Freitag (Eds.). <em>Transkulturelle Dynamiken. Aktanten – Prozesse – Theorien.</em> Bielefeld: Transcript, 2015. | 23 | 7 | 5 | 8 | 3 |
| 3k16g0bx | Wo der Wille zur Macht fehlt, gibt es Niedergang: An Examination of Descent and Acsent in Friederich Nietzsche und Thomas Mann | 23 | 6 | 2 | 7 | 8 |
| 9xz3c3x0 | The "Medusan" Glance: Language and Critique in the Early Writings of Walter Benjamin | 23 | 4 | 6 | 8 | 5 |
| 0505m06f | Die emanzipierte Emanzipationsgegnerin: Caroline Pichlers theoretische Schriften | 21 | 2 | 3 | 12 | 4 |
| 3vf3j8wz | Märchen und Apokalypse | 18 | 8 | 3 | 2 | 5 |
| 41g2k96w | Notes on an Installation: Crater of a Home, Corner of a Mind | 18 | 9 | 3 | 6 | |
| 5qr6m337 | Review: German-Jewish Popular Culture before the Holocaust. Kafka's Kitsch | 18 | 4 | 4 | 5 | 5 |
| 7mn555tz | <strong>Book Review:</strong> Stolleis, Michael. <em>Origins of the German Welfare State: Social Policy in Germany to 1945</em>. New York: Springer, 2013. | 15 | 6 | 2 | 5 | 2 |
| 0zj631kd | <strong>Book Review:</strong> Etkind, Alexander, Rory Finnen et al. <em>Remembering Katyn</em>. Cambridge, UK and Malden, MA: Polity Press, 2012. | 13 | 5 | 2 | 6 | |
| 6m6813zg | Foreword | 13 | 7 | 5 | 1 | |
| 1t83n3r1 | Gestörter Organismus: Jean Pauls Ästhetik der Abweichung in der Erzählung Dr. Katzenbergers Badereise | 12 | 3 | 4 | 3 | 2 |
| 5fb8431r | About the Artist: Marcel Bühler | 10 | 3 | 2 | 3 | 2 |
| 0t9151tv | Gottwald, Herwig and Andreas Freinschlag, Peter Handke, Böhlau: Stuttgart, 2010. | 9 | 3 | 2 | 2 | 2 |
| 6hn7h73h | Cohen-Pfister, Laurel and Dagmar Wienroeder-Skinner, eds. Victims and Perpetrators: 1933-1945. (Re)Presenting the Past in Post-Unification Culture. Berlin/ New York: Walter de Gruyter, 2006. | 9 | 2 | 3 | 3 | 1 |
| 4mw4499r | <strong>Book Review:</strong> Heiduschke, Sebastian. <em>East German Cinema: DEFA and Film History</em>. New York: Palgrave MacMillan, 2013. | 8 | 3 | 1 | 3 | 1 |
| 8sh45394 | Cover Art | 8 | 3 | 1 | 4 | |
| 093874r3 | NGR 25 Contributors | 7 | 1 | 2 | 4 | |
| 3fk9c786 | Bennett, Benjamin. The Dark Side of Literacy: Literature and Learning How Not to Read. New York: Fordham University Press, 2008. | 7 | 3 | 1 | 2 | 1 |
| 5xx3d375 | Ulrich Plass, Franz Kafka Köln: Böhlau Verlag, 2009. | 7 | 1 | 2 | 2 | 2 |
| 640788rb | Bernd Hamacher. Offenbarung und Gewalt. Literarische Aspekte kultureller Krisen um 1800. München and Paderborn: Fink, 2010. | 6 | 1 | 1 | 3 | 1 |
| 6fj2x09v | Review: German Film after Germany. Toward a Transnational Aesthetic | 6 | 3 | 2 | 1 | |
| 4bk4d80d | About the Authors | 4 | 2 | 2 | ||
| 5ws0f0g8 | About the Artist | 4 | 1 | 1 | 2 | |
| 6h9822p9 | Front Matter | 4 | 2 | 2 | ||
| 9jp291p0 | Table of Contents | 4 | 2 | 2 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.