Department of Film and Media Studies
Parent: UC Santa Barbara
eScholarship stats: History by Item for November, 2024 through February, 2025
Item | Title | Total requests | 2025-02 | 2025-01 | 2024-12 | 2024-11 |
---|---|---|---|---|---|---|
7s0214s8 | Drones, Infrared Imagery, and Body Heat | 69 | 10 | 17 | 25 | 17 |
0jk770m2 | Cover Your WebcamUnencrypting Laura Poitras's Citizenfour | 62 | 18 | 17 | 14 | 13 |
4499j4ht | Digging into Google Earth: An analysis of “Crisis in Darfur” | 53 | 23 | 12 | 5 | 13 |
41v0z2tc | The Death and Life of the Back Room | 44 | 12 | 14 | 15 | 3 |
1jx5f4pw | The Long Tail of the Video Store | 39 | 16 | 12 | 8 | 3 |
34789514 | Video Rental Store: An Interview with Suzanne Carte-Blanchenot and Su-Ying Lee | 33 | 9 | 9 | 13 | 2 |
4f11v2xh | A Business without a Future? The Parisian Vidéo-Club, Past and Present | 32 | 12 | 12 | 8 | |
312959s6 | Video Stores: Introduction | 30 | 10 | 8 | 9 | 3 |
9nb0s2p0 | Browsing for Dissonance: Paratexts, Box-Art Iconography, and Genre | 29 | 7 | 8 | 12 | 2 |
8z72h2hg | Video Stores, Media Technologies, and Memory | 27 | 10 | 7 | 8 | 2 |
0vq4d3r7 | Exchange and Circulation: An Anthropological Perspective on Video Stores in Kinshasa | 26 | 5 | 11 | 6 | 4 |
6rt440g7 | EVERYTHING IS TERRIBLE! An Interview with Future Schlock | 25 | 9 | 9 | 6 | 1 |
8773z870 | Home, Home (Video) on the Range: Reflections on Small-Town Video Stores in 2010 | 25 | 8 | 7 | 6 | 4 |
0rw264w0 | Mapping Hardcore Space | 24 | 8 | 4 | 9 | 3 |
0vb2k5gc | Things & Movies: DVD Store Culture in Fiji | 24 | 9 | 4 | 11 | |
431925qj | Pre-cinema as paradigm and collection at the Getty Research Institute | 24 | 5 | 5 | 7 | 7 |
6qt4d79h | Pedagogical Spaces, or, What We’ve Lost in the Post-Video-Store Era | 20 | 4 | 6 | 7 | 3 |
3hc9w7b5 | Simon Dell. The Portrait and the Colonial Imaginary. Photography between France and Africa 1900–1939. Leuven University Press, Leuven 2020. 247 pp. Ill. € 55.00. | 18 | 6 | 7 | 4 | 1 |
96b7p1qv | J ohn W arne M onroe . Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art . | 11 | 6 | 2 | 2 | 1 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.