CSW Update Newsletter
Parent: UCLA Center for the Study of Women
eScholarship stats: History by Item for November, 2024 through February, 2025
| Item | Title | Total requests | 2025-02 | 2025-01 | 2024-12 | 2024-11 |
|---|---|---|---|---|---|---|
| 4w94v8kr | BeautifulAgony.com and the Representation of Pleasure | 1,563 | 490 | 502 | 347 | 224 |
| 0vw2z527 | Laura Aguilar: Clothed Unclothed | 290 | 97 | 109 | 55 | 29 |
| 46v0c1m8 | "You Don't Want to Be in Love... You Want to Be in Love in a Movie": Romance and Postfeminism in Contemporary Film and Television | 171 | 44 | 41 | 45 | 41 |
| 5tw6h8nk | From Misogyny to Murder: Everyday Sexism and Femicide in a Cross-Cultural Context | 168 | 21 | 19 | 55 | 73 |
| 0pz3k79s | Making the Cut: Female Editors and Representation in the Film and Media Industry | 147 | 25 | 33 | 48 | 41 |
| 3zf04168 | Patriarchy/Matriarchy versus Blood Quantum Cultural Significance as Evidenced in Hawaii Land Commission Grants | 136 | 36 | 32 | 29 | 39 |
| 0789b6jb | Occult Sex as a Conversational Resource | 135 | 32 | 40 | 29 | 34 |
| 18p0x4r5 | Childbirth and Confinement: Mary Wollstonecraft and the Politics of Pregnancy | 106 | 34 | 24 | 24 | 24 |
| 1dw1f4fn | Holy Mother of Chiri Mountain: A Female Mountain Spirit in Korea | 89 | 8 | 10 | 35 | 36 |
| 9d0562cb | Transcending Masculinity | 84 | 21 | 24 | 19 | 20 |
| 2c78c0wh | The Real (Porn) World: The Politics and Aesthetics of the New Reality Porn | 78 | 14 | 20 | 18 | 26 |
| 4r7234d1 | Exploring Sexuality, Religiousity, and Desire in Colonial Mexico | 77 | 18 | 14 | 22 | 23 |
| 76f601jz | "A Most Sacred Duty": Women in the Antiremoval Movement, 1829-1838 | 76 | 12 | 6 | 12 | 46 |
| 3357r9nz | Television's Mature Women: A Changing Media Archetype: From Bewitched to the Sopranos | 71 | 24 | 16 | 14 | 17 |
| 3pd5t9m6 | Liberating Hollywood: Thirty Years of Women Directors | 61 | 10 | 8 | 15 | 28 |
| 1gz83404 | Musawah Movement: Seeking Equality and Justice in Muslim Family Law | 59 | 11 | 11 | 24 | 13 |
| 1kg651b3 | Media Representations of Michelle Obama | 56 | 17 | 18 | 8 | 13 |
| 7w18h2jx | Fifth Avenue's First Lady: Dorothy Shaver | 52 | 15 | 15 | 11 | 11 |
| 3vp4p8t5 | Mixing Puppetry with Ethnography, part two: The ‘Fugitive’ Terms of Contemporary Indian Dance | 51 | 9 | 11 | 12 | 19 |
| 55m7m9gx | L.A. Rebellion: Creating a New Black Cinema | 50 | 17 | 10 | 10 | 13 |
| 4jx713vz | Q & A with Stephanie Rothman | 43 | 6 | 21 | 6 | 10 |
| 2938s693 | The Sexual Field: A New Theory for Classic Questions | 42 | 15 | 8 | 11 | 8 |
| 8vn7t6nc | Wini Breines Speaks on The Trouble Between Us | 40 | 16 | 8 | 9 | 7 |
| 0ds6g1hf | Name Law and Gender in Iceland | 39 | 10 | 9 | 16 | 4 |
| 1pm3p9d1 | A Conversation with Gil Hochberg on "Queer Politics and the Question of Palestine" | 39 | 16 | 10 | 5 | 8 |
| 3n2513x7 | Trashy Robots: Desire and Disposability in Patricia Yaeger’s “Luminous Trash: Throwaway Robots in Blade Runner, the Terminators, A.I., and Wall•E” | 39 | 9 | 13 | 9 | 8 |
| 9zr2m0m5 | Border-Crossings between East and West Europe | 39 | 10 | 14 | 9 | 6 |
| 2b68s20r | Gender and Modernity in Colonial Korea | 37 | 15 | 4 | 12 | 6 |
| 59t9691h | The Private and the Public in the Photography of Laura Aguilar | 37 | 11 | 5 | 11 | 10 |
| 6910n7mm | A New Lost Woman Philosopher: Amalie John Hathaway | 37 | 9 | 17 | 7 | 4 |
| 82h2t0fs | The Reality of the Researcher: Addressing Assumptions and Biases | 37 | 13 | 9 | 9 | 6 |
| 84j9s1v1 | Examining the Underrepresentation of Women in STEM Fields: Early Findings from the Field of Computer Science | 37 | 10 | 4 | 16 | 7 |
| 0358c5qj | Porn, Pedagogy, and the Passing of an Icon | 36 | 12 | 11 | 9 | 4 |
| 49j0958t | Dancing at the Crossroads: Batuko, Community, and Female Empowerment in Cape Verde West Africa | 36 | 15 | 3 | 11 | 7 |
| 4rh0h3hf | Strange Affinities: The Sexual and Gender Politics of Comparative Racialization | 34 | 11 | 9 | 9 | 5 |
| 5b47h6m3 | Suburbia and Community: Untangling a Historial Conundrum | 34 | 13 | 7 | 12 | 2 |
| 8w02f6fw | Amrit & Rabindra Singh | 34 | 8 | 12 | 7 | 7 |
| 3jw7t3vg | Hear the Voices: The Need for Personal Narratives in Holocaust Studies | 33 | 12 | 8 | 4 | 9 |
| 7r31m7x7 | Women and Textiles: Warping the Architectural Canon | 33 | 14 | 7 | 7 | 5 |
| 58x8415h | Okinawanness as a Form of Indigeneity in Transnational Anti-Militarist Feminist Movement | 32 | 9 | 12 | 9 | 2 |
| 7jx8m9gb | Judit Hersko’s Polar Art: Anthropogenic Climate Change in Antarctic Oceanscapes | 32 | 10 | 12 | 6 | 4 |
| 1q5711vd | Male Heroism, Demonic Pigs, and Memories of Violence in the Haitian-Dominican Borderlands | 31 | 10 | 7 | 10 | 4 |
| 3sq8j8hp | Inflammation and Depression: Why Do Women have a Higher Risk for Depression than Men? | 31 | 9 | 7 | 8 | 7 |
| 6j50v781 | Food as Exposure: Nutritional Epigenetics and the Molecular Politics of Eating | 31 | 8 | 8 | 11 | 4 |
| 485681pr | Missing in Action: On Eastern European Women and Transnational Feminism | 30 | 12 | 7 | 4 | 7 |
| 4cf8n2kj | Female Agency in 1930s Hollywood | 30 | 6 | 5 | 12 | 7 |
| 8pr2x039 | Performative Metaphors: The “Doing” of Image by Women in Mariachi Music | 30 | 5 | 12 | 4 | 9 |
| 0df2c646 | The Gendering of Film and Television Casting | 29 | 9 | 8 | 7 | 5 |
| 0t48f24b | The B Word: Chasing Amy and the Bisexual (In)Visibility in Cinema and Media | 28 | 10 | 9 | 6 | 3 |
| 2j54h4zt | Postcolonial Feminist Re-presentation of Disability (Studies) | 28 | 10 | 8 | 3 | 7 |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.