CSW Update Newsletter
Parent: UCLA Center for the Study of Women
eScholarship stats: Breakdown by Item for October, 2024 through January, 2025
Item | Title | Total requests | Download | View-only | %Dnld |
---|---|---|---|---|---|
4w94v8kr | BeautifulAgony.com and the Representation of Pleasure | 1,180 | 25 | 1,155 | 2.1% |
0vw2z527 | Laura Aguilar: Clothed Unclothed | 218 | 21 | 197 | 9.6% |
0pz3k79s | Making the Cut: Female Editors and Representation in the Film and Media Industry | 185 | 30 | 155 | 16.2% |
5tw6h8nk | From Misogyny to Murder: Everyday Sexism and Femicide in a Cross-Cultural Context | 165 | 44 | 121 | 26.7% |
46v0c1m8 | "You Don't Want to Be in Love... You Want to Be in Love in a Movie": Romance and Postfeminism in Contemporary Film and Television | 159 | 32 | 127 | 20.1% |
0789b6jb | Occult Sex as a Conversational Resource | 143 | 106 | 37 | 74.1% |
3zf04168 | Patriarchy/Matriarchy versus Blood Quantum Cultural Significance as Evidenced in Hawaii Land Commission Grants | 133 | 12 | 121 | 9.0% |
2c78c0wh | The Real (Porn) World: The Politics and Aesthetics of the New Reality Porn | 100 | 13 | 87 | 13.0% |
18p0x4r5 | Childbirth and Confinement: Mary Wollstonecraft and the Politics of Pregnancy | 97 | 25 | 72 | 25.8% |
1dw1f4fn | Holy Mother of Chiri Mountain: A Female Mountain Spirit in Korea | 96 | 72 | 24 | 75.0% |
4r7234d1 | Exploring Sexuality, Religiousity, and Desire in Colonial Mexico | 91 | 53 | 38 | 58.2% |
9d0562cb | Transcending Masculinity | 89 | 18 | 71 | 20.2% |
3pd5t9m6 | Liberating Hollywood: Thirty Years of Women Directors | 87 | 31 | 56 | 35.6% |
76f601jz | "A Most Sacred Duty": Women in the Antiremoval Movement, 1829-1838 | 80 | 9 | 71 | 11.3% |
3357r9nz | Television's Mature Women: A Changing Media Archetype: From Bewitched to the Sopranos | 73 | 26 | 47 | 35.6% |
3vp4p8t5 | Mixing Puppetry with Ethnography, part two: The ‘Fugitive’ Terms of Contemporary Indian Dance | 63 | 6 | 57 | 9.5% |
1gz83404 | Musawah Movement: Seeking Equality and Justice in Muslim Family Law | 62 | 15 | 47 | 24.2% |
55m7m9gx | L.A. Rebellion: Creating a New Black Cinema | 50 | 15 | 35 | 30.0% |
1kg651b3 | Media Representations of Michelle Obama | 49 | 42 | 7 | 85.7% |
7w18h2jx | Fifth Avenue's First Lady: Dorothy Shaver | 46 | 4 | 42 | 8.7% |
8w02f6fw | Amrit & Rabindra Singh | 45 | 2 | 43 | 4.4% |
58x8415h | Okinawanness as a Form of Indigeneity in Transnational Anti-Militarist Feminist Movement | 42 | 6 | 36 | 14.3% |
4jx713vz | Q & A with Stephanie Rothman | 41 | 19 | 22 | 46.3% |
0ds6g1hf | Name Law and Gender in Iceland | 39 | 5 | 34 | 12.8% |
84j9s1v1 | Examining the Underrepresentation of Women in STEM Fields: Early Findings from the Field of Computer Science | 39 | 4 | 35 | 10.3% |
1pm3p9d1 | A Conversation with Gil Hochberg on "Queer Politics and the Question of Palestine" | 38 | 6 | 32 | 15.8% |
2938s693 | The Sexual Field: A New Theory for Classic Questions | 38 | 28 | 10 | 73.7% |
1q5711vd | Male Heroism, Demonic Pigs, and Memories of Violence in the Haitian-Dominican Borderlands | 37 | 10 | 27 | 27.0% |
0t48f24b | The B Word: Chasing Amy and the Bisexual (In)Visibility in Cinema and Media | 36 | 13 | 23 | 36.1% |
3n2513x7 | Trashy Robots: Desire and Disposability in Patricia Yaeger’s “Luminous Trash: Throwaway Robots in Blade Runner, the Terminators, A.I., and Wall•E” | 35 | 8 | 27 | 22.9% |
59t9691h | The Private and the Public in the Photography of Laura Aguilar | 35 | 8 | 27 | 22.9% |
3sq8j8hp | Inflammation and Depression: Why Do Women have a Higher Risk for Depression than Men? | 34 | 2 | 32 | 5.9% |
9zr2m0m5 | Border-Crossings between East and West Europe | 34 | 2 | 32 | 5.9% |
0358c5qj | Porn, Pedagogy, and the Passing of an Icon | 33 | 3 | 30 | 9.1% |
4rh0h3hf | Strange Affinities: The Sexual and Gender Politics of Comparative Racialization | 33 | 10 | 23 | 30.3% |
8vn7t6nc | Wini Breines Speaks on The Trouble Between Us | 33 | 4 | 29 | 12.1% |
485681pr | Missing in Action: On Eastern European Women and Transnational Feminism | 32 | 4 | 28 | 12.5% |
5b47h6m3 | Suburbia and Community: Untangling a Historial Conundrum | 32 | 27 | 5 | 84.4% |
6910n7mm | A New Lost Woman Philosopher: Amalie John Hathaway | 32 | 2 | 30 | 6.3% |
6j50v781 | Food as Exposure: Nutritional Epigenetics and the Molecular Politics of Eating | 32 | 10 | 22 | 31.3% |
76b8b02k | becoming transreal: Micha Cardenas and Elle Mehrmand mix first life with Second Life | 31 | 2 | 29 | 6.5% |
82h2t0fs | The Reality of the Researcher: Addressing Assumptions and Biases | 31 | 2 | 29 | 6.5% |
49b7g6xk | Critical Media Literacy, LGBT Representations and Blurred Realities | 30 | 10 | 20 | 33.3% |
6dz5c8jd | Q&A with Alicia Gaspar de Alba | 29 | 3 | 26 | 10.3% |
7r31m7x7 | Women and Textiles: Warping the Architectural Canon | 29 | 7 | 22 | 24.1% |
8pr2x039 | Performative Metaphors: The “Doing” of Image by Women in Mariachi Music | 29 | 6 | 23 | 20.7% |
49j0958t | Dancing at the Crossroads: Batuko, Community, and Female Empowerment in Cape Verde West Africa | 28 | 6 | 22 | 21.4% |
4cf8n2kj | Female Agency in 1930s Hollywood | 27 | 13 | 14 | 48.1% |
7db9859j | Intimate Objects and Medieval Sexuality: A Review of CMRS Medieval Sexuality 2009 | 27 | 17 | 10 | 63.0% |
7jx8m9gb | Judit Hersko’s Polar Art: Anthropogenic Climate Change in Antarctic Oceanscapes | 26 | 2 | 24 | 7.7% |
Note: Due to the evolving nature of web traffic, the data presented here should be considered approximate and subject to revision. Learn more.