Wu Guanzhong may be one of the best known artists to emerge after China’s Cultural Revolution, but scholarship on the artist and his works in English is limited. Prizant’s examination of Wu’s intentions and how his work has been interpreted and received in China and worldwide was accomplished through dogged and persistent searching through Chinese and English library catalogs, print bibliographies, and online databases. This resulted in a sophisticated analysis of Wu’s work that Prof. Berger described as “graduate level work,” one that includes “the most comprehensive bibliography on Wu Guanzhong that [she has] seen.”