In this article, I trace the multiple layers of meaning behind the words “bosal” and “kongo” in contemporary Haiti. I read the sociopolitical origins of the two terms, both of which issue from the slave era, and trouble the attributes that scholars traditionally ascribe to them. I also explore how two Haitian folklore characters, Uncle Bouki and Ti Malis, reflect and comment on historical and contemporary class divisions. Then, using interviews as a basis for my discussion, I explore the two terms’ varied meanings within popular culture before analyzing them as terms not only of denigration but also of empowerment. To do this, I compare popular uses of the terms with the appropriation of the term “nigger” in African American popular culture.