The aim of this article is to explore some possibilities of hearing the city as a tool for an extended exploration and understanding of different aspects of urban dynamics and contradictions in socio-anthropological analysis. Starting from considerations of the secondary importance given to the sense of hearing in social research and theory, and the growing interest in the integration of all the senses for the construction of an embodied research apparatus which would contemplate the multidimensionality of everyday life, I explore two perspectives: the one contained in the different uses of the concept of soundscape, and the one referred to more recent appropriations of Henri Lefebvre's rhythmanalysis. Complementing the reflection, I use the theoretical suggestions based on sound perceptions, to produce some insights regarding the impacts of the Covid-19 pandemic on cities and everyday life.