Using computer vision techniques and game engine technology, the interactive installation, Game-Space, explores subjectivity in mediated environments. The paper discusses the development of this work and its current conception as a machine for the experimental production of a new subjectivity in the form of a machinic hybrid.

This paper examines the way in which time and space are figured within a new genre of what we are calling "eccentric games" and a site-specific video sharing application called Trover by Dan Provost. Taking Valve’s Portal as our case study, a chiasmatic relationship emerges between these different modes of eccentric media. In order to access eccentric space the video games we examine appropriate the logic of film whereas Provost's video application Trover is informed by an eccentric logic of games.