What follows must, of necessity, be a manifesto of reply. The form of the text is an experiment in the capacities of montage, a composition of fragments. It is written as complement to the thesis exhibition of the same title staged at the University Art Gallery in May of 2017. Thus the text is deeply invested in associative meaning, entanglement, and the capacity of the reader to make knowledge from its form. The method employed is in active resistance to logical sense.